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Album Reviews

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Album Review: Distant Birds – ‘Vol 01& Vol 02’: A rhythm packed instrumental journey that’s momentous and mesmeric.

  • May 22, 2026
  • John Parry
You might think ‘getting into the groove’ was a pretty straight-forward proposition. Well this album from Sydney – based Distant Birds (The Necks keyboardist Chris Abrahams, Boy & Bear bass-player…
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Genesis Owusu
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Album Review: REDSTAR WU & THE WORLDWIDE SCOURGE confirms Genesis Owusu’s singular brilliance

  • May 16, 2026
  • Deb Pelser
Trying to summarise Genesis Owusu in neat terms at this point feels almost pointless. Across three albums he has dismantled genre, expectation and the increasingly flimsy boundaries between political commentary, theatre, punk…
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Album Review: Things We Did on Earth – The Kilbey/Kennedy sonic spaceship alights in our universe, and they’re better than ever.

  • May 13, 2026
  • Arun Kendall
Over the years, writing about Steve Kilbey and Martin Kennedy has become a little like tracing constellations across different skies. Whether reviewing latter-day albums by The Church or previous Kilbey…
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Album Review: Momen – ‘Sympathetic Resonance’: Enthralling merger of electronic, classical and jazz from new London-based duo.

  • May 11, 2026
  • John Parry
In times of turbulence, we need music that keeps us centred and able to pause. That’s exactly what ‘Sympathetic Resonance’ the enthralling debut from London based duo Momen achieves. A…
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Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.

  • May 7, 2026
  • John Parry
The beguiling voice of ambient musician Ana Roxanne has been gradually revealing itself with each release. Once bathing in a gentle flow of rippling drones and rustling field recordings on…
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Album Review: Modern Woman – ‘Johnny’s Dreamworld’: A fully fledged, opening statement from the London art-rock dynamos.

  • May 4, 2026
  • John Parry
As ‘Johnny’s Dreamworld’, the debut album by London art-rockers Modern Woman, goes to show, the slow evolution of an idea often brings the finest results. The fourpiece first cut through…
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Album Review: Dave Graney and Clare Moore do a delicate pirouette with rock and an arched brow in their new album ‘Laburnam of the Mind’

  • May 2, 2026
  • Arun Kendall
There’s always been something gloriously unbothered about Dave Graney and Clare Moore — a sense that the rules of engagement (hits, trends, relevance) are for other people. ‘Laburnum Of The…
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Album Review: Anenon – ‘Dream Temperature’: Enthralling, dream-state miniatures from the singular LA composer/instrumentalist.

  • May 1, 2026
  • John Parry
‘Dream Temperature’, the second release on Tonal Union by saxophonist and composer Brian Allen Simon (aka Anenon), is an album of departures and returns. While 2016’s ‘Petrol’ captured the energy…
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Album Review: Leaf Mosaic unveils debut album ‘Sapient’: a collection of sparkling pure pop jewels.

  • May 1, 2026
  • Arun Kendall
Following up from the brilliant single ‘What Changed?’ released a few weeks ago, duo Leaf Mosaic have unveiled their electrifying debut album ‘Sapient’ and it is clear a powerful new…
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Album Review: Naná Rizinni – ‘Epiblast’: An energetic, feisty electro-jazz fusion set from the Brazilian drummer/composer.

  • April 28, 2026
  • John Parry
A go-to session drummer, vocalist and songwriter within the São Paulo scene, Naná Rizinni looks set to drive home her credentials with her new album ‘Epiblast’, released via Bridge the…
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