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Album Reviews

3380 posts
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Album Review: Los Sara Fontán – ‘Consuelo’: The experimental post-rock duo’s propulsive second manifesto.

  • February 22, 2026
  • John Parry
The secret of any underground music is that it stays hidden until found. Once discovered it opens windows onto a world of art making where things can just happen because…
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Album Review: Aaron Shaw – ‘And So It Is’: Tingling with raw beauty, an inspiring spiritual jazz statement.

  • February 16, 2026
  • John Parry
This has to be said upfront, even before you get deep into the music this album is inspirational. Saxophonist/ flautist Aaron Shaw, one of the names to be named on…
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Album Review: Bellbird – ‘The Call’: From free jazz to post rock, a quartet that find their own trajectory.

  • February 10, 2026
  • John Parry
Constellation Records have long provided a portal for the extraordinary experimental music which orbits around their Montreal home base, but here we have them opening the apertures and focusing in…
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Album Review: Christo Graham – ‘Good Covers’: An authentic singer-songwriter gem that shouldn’t get forgotten.

  • February 6, 2026
  • John Parry
Besides being an actor and graphic designer Christo Graham is one of those heart and soul singer/songwriters. You can’t imagine a day when there’s not a tune or lyrical snippet…
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Album Review: Zone Null – ‘Phase 1’: Taking the bass to unknown places- epic, long form electronic improv from the Berlin-based duo.

  • January 30, 2026
  • John Parry
Pounding into January with the irrepressible Ruptured Records and a debut album, ‘Phase 1’ from a new collaborative project Zone Null, featuring bassist Tony Elieh and electronic composer/performer Burkhard Beins.…
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Album Review: It’s all ‘In The Manifesto’ – Sacred Cowboys unveil a collection of attitude-laden gems that burn brightly.

  • January 30, 2026
  • Arun Kendall
Sacred Cowboys have been – and still are – a legendary bunch of misfits together in various forms since 1982, but always with Garry Gray as a mainstay at the reins…
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album review: megadeth, megadeth

  • January 30, 2026
  • Phil Pountney
Megadeth’s latest album arrives carrying a sense of gravity that’s impossible to ignore. Decades into a career defined by volatility, reinvention, and sheer stubborn survival, the band sounds acutely aware…
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Album Review: Mi3RAJ – ‘Callings Of The Owed’: Powerful and poetic electronic fusion from Cairo’s rising underground scene.

  • January 24, 2026
  • John Parry
A new project from their long lasting musical connection, poet/vocalist Mohamed Tarek Moussa and producer/multi-instrumentalist Abdelrahman Shaat (aka Mi3raj) emerge with a new album, the intense ‘Callings Of The Owed’…
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Album Review: KEELEY – Girl On The Edge Of The World

  • January 23, 2026
  • Simon Lucas-Hughes
Anglo-Irish artist KEELEY returns with her explosive third album, Girl On The Edge Of The World. Jangly and atmospheric, veering between grunge-edged intensity and ethereal, fuzz-soaked pop, the album occupies…
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Album Review: ‘I’m In My Brain Again’ – stunning debut from Slowcoaching reveals a luscious dreamscape and soaring melodies.

  • January 18, 2026
  • Arun Kendall
Slowcoaching is the nom de plume of Naarm/Melbourne musician Dean Valentino, and his debut album ‘I’m In My Brain Again’ is a delicious collection of dreamy songs that seem to…
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