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Album Reviews

3382 posts
  • Album Reviews

Album Review: Giss – ‘II’

  • December 1, 2022
  • Simon Lucas-Hughes
Indie explorers Giss cover a lot of musical ground on their new album ‘II’, from indie-rock, to psychedelic, to electronic, all delivered with a freeing ease and a shimmering confidence.…
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Album Review: The glorious Charlie Clark is indulging in a little ‘Late Night Drinking’ and the results are something quite spectacular.

  • November 28, 2022
  • Arun Kendall
Charlie Clark has a fascinating story to tell – a part of vital Scottish indie music history in indie band Astrid before decamping to lead another life in LA as…
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Album Review: Tin Man Falls – Tin Man Falls

  • November 28, 2022
  • Simon Lucas-Hughes
Vienna-based music collective Tin Man Falls have unveiled their debut album, an enigmatic 10-track offering that levitates the listener with its rich layers and spatial sonics. The indie-electronic project is…
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Album Review: The Barefoot Bandit – Hello Welcome

  • November 28, 2022
  • Simon Lucas-Hughes
Blending elements of Ska, Dub and Rock, The Barefoot Bandit have a brilliantly unique and excitingly original approach to their music – referencing the likes of The Specials with their…
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Album Review: Sir Jude Is A Revelation

  • November 27, 2022
  • Deb Pelser
Melbourne-based Sir Jude released her debut album ‘Revelations’ earlier this month. Sir Jude has spoken about how the album represents a sonic journey in which she has attempted to unravel…
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Album Review: Newcastle punk quartet, These New South Whales explode on self-titled third release

  • November 26, 2022
  • Andrew Fuller
Three years on from sophomore release, I Just Do What God Tells Me To Do, the third full-length release from These New South Whales delivers in spades. The multi-faceted chameleons…
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Album Review: Pie Eye Collective – ‘Tangential City’ : a fresh, forward thinking soundtrack for today’s metropolis.

  • November 25, 2022
  • John Parry
The city of today inspires so much music. For many musicians it brings on the panoramic, where a wide-eyed trip over the urban landscape gets imagined in sweeping soundtracks. But…
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Album Review: Shady Oaks – MAD

  • November 24, 2022
  • Simon Lucas-Hughes
Psychedelic, garage rockers Shady Oaks share their riff heavy, head banger of a debut album ‘MAD’. Opening with a tight fuzzy guitar riff of ‘3AM’, to my ear the unmistakable…
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Album Review: Alannah Russack’s Entropy Band (The Hummingbirds, Aerial Maps) radiates stately beauty in the epic ‘As Memories Pass Each Other’.

  • November 24, 2022
  • Arun Kendall
The Hummingbirds have a permanent place in the annals of indie rock history in Australia, shining brightly but altogether too briefly for a period in the late eighties early nineties (check…
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EP Review: Holly Hebe’s debut ‘Party Mix’ is an achingly beautiful collection of dreamy pop morsels.

  • November 23, 2022
  • Arun Kendall
Holly Hebe has graced these pages a few times – her collaboration with Ivoris and Zhuli in the track ‘Supervillain‘ earlier this year was a pop delight, and her single…
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