Track / Video
Track: Kathryn Joseph releases the emotive beauty of “deer”, plus reveals tour dates and Mogwai support slot
Kathryn Joseph’s new single “deer” arrives cloaked in sorrow and restrained beauty, a haunting first glimpse into her upcoming album WE WERE MADE PREY. Built around gentle, emotive synths and her unmistakable voice—fragile, enclosed, and quietly powerful—the track feels like a private reckoning. It’s a piece that doesn’t so much unfold as it hovers, pulling you …
Track: Waterbaby thrills with the tender hushed beauty of new single “Amiss”
With “Amiss,” Stockholm-based artist Waterbaby offers a gorgeously tender return—a hushed, melancholic piece of indie folk that feels both fragile and grounded. Built around softly strummed acoustic guitar, sighing cellos, and gentle vocal harmonies, the track unfolds like a quiet confession, intimate and richly textured. There’s a lilting sadness in Waterbaby’s voice, which carries the …
Track: ‘Uh Oh’ – Naarm/Melbourne-based artist Romanie is back with a brilliant new single and tour dates.
Romanie (Romanie Assez) relocated to Naarm/Melbourne a few years ago from Belgium and has released a string of exquisitely beautiful tracks that showcase her velvet vocals and acute observations on life. She is back after a couple of years’ absence and her new single ‘Uh Oh’ continues this upwards ascendancy. ‘Uh Oh’ has grungy, thrilling, rich guitars …
News: Gold Coast-based (Yugambeh, Kombumerri) 6-piece band Selve announce new album ‘Breaking Into Heaven’ and kick off with the incandescent title track.
Led by Jabirr Jabirr frontperson Loki Liddle – Gold Coast-based (Yugambeh, Kombumerri) 6-piece band Selve today announce their forthcoming debut album ‘Breaking Into Heaven’ due out on 12 September, which has the honour of being the first full-length album to be recorded at the legendary Abbey Road studios by an Aboriginal artist. And by way …
Track: The Perfect English Weather release the gorgeous indie pop of London By The Sea / Flames
The Perfect English Weather – Simon and Wendy Pickles of 90s indie pop favourites The Popguns, return with a double offering that reaffirms their gift for crafting wistful, melodic indie pop soaked in gentle melancholy. “London By The Sea,” the second single from their upcoming album Just Beyond The Lights, is a beautifully rendered daydream — a shimmering …
Premiere: It’s prime time for a reflective ‘Midnight Song’ as indie rocker Iain T. McKelvey returns with a shimmering new single.
Indie rocker Iain T. McKelvey is back after a year’s absence with his new evocative single ‘Midnight Song’, and we are humbled to bring you an early listen. ‘Midnight Song’ as a hint of an alt country twang with its crystalline guitars and McKelvey’s velvet, yearning tones, augmented by delicate harmonies and an indelible melody. Threaded …
Track: Shawn Matthew Shares Explosive New Single ‘Work to the Beat’
Shawn Matthew’s new single ‘Work to the Beat’ is a thunderous statement of intent, a gritty, genre-bending track that crashes through bass house, dubstep, and trap to create an exhilarating high-energy journey through explosive beats and sampling. Released via 20k Leagues Records, it marks a sharp departure from the melodic house sound he was once known for, trading polished builds and euphoric drops for something far more raw, loud, and unfiltered. From the very start, ‘Work to the Beat’ introduces slamming kicks and sharp vocal samples before dropiing into an explosive, deb-step flavoured drop. Layered with fuzzy distorted bass and biting drum machines create a dancable abrasive feel that feels as though it was built for dark clubs and dirt-covered festival grounds. Intense, unpredictable, and vibrant, the track is a showcase of Matthew’s uncanny ability as …
Premiere: ‘Spit It Out’ – GRXCE return with a visceral, anthemic pop blast ahead of launch dates.
The glorious Eora/Sydney band GRXCE are back with the soaring anthemic track ‘Spit It Out’, which we are inordinately proud to premiere today. The single features a passionate melodic delivery seething with anger and a thumping percussive drive, replete with an eviscerating guitar. The track seems to represent an evolution of the band’s sound into …