Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • FIlm Review

Film Review: ’71

  • October 13, 2014
  • Rob Aldam
Total
0
Shares
0
0
0

There have been many films about “The Troubles” over the years. Some of the most famous are In the Name of the Father, Hunger, Bloody Sunday and The Crying Game. Whilst ’71 is set in Belfast in 1971 (unsurprisingly), it’s more of a straight thriller/action movie than one which has much to say about the religious divide and deeper conflict in Northern Ireland. Yann Demange’s film carries an air of cynicism throughout, and continues the impressive film career of Skins’ Jack O’Connell.

Gary Hook (O’Connell) is a new recruit to the British Army. When his regiment is sent to Belfast they are fresh out of training. On a routine mission to support a RUC house search, Gary is separated and lost in the hostile streets. After being lead to a Loyalist pub by a boy he witnesses one of the plain clothed intelligence operatives based in their barracks seemingly helping to build a bomb. When things go horribly wrong he is rescued by a Catholic former medic Eamon (Richard Dormer). Eamon saves his life but has to call Paramilitary leader Boyle (David Wilmot) to get him out of there and back to barracks. However, there are younger members of the IRA (led by Quinn) who are after the soldier and Boyle.

What works so well in this taut British thriller is Demange’s ability to keep the tension high throughout. The script is cleverly written, telling the story from several viewpoints, which allows the story to flow and brings you in to the unfolding intrigue. The Falls Road looks every inch of a war zone and the atmosphere in Belfast at the time is recreated brilliantly. The pub scene is scarily realistic and this authenticity continues throughout ’71. There’s also some of the blackest humour you’re likely to see in the cinema this year. ’71 is a stunning film which delivery on action, intrigue and entertainment.

’71 is in cinemas now.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Studio Canal
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Music
  • Not Forgotten

Not Forgotten – Talking Heads – Stop Making Sense (1999 Special Edition)

  • October 9, 2014
  • Jon Bryan
View Post
Next Article
  • Interview
  • Music

Meet: Interview with World renowned multi-instrumentalist Peter Ulrich

  • October 13, 2014
  • stAn
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: Introducing Louderstar, from the southern edge of the world, with their debut ethereal single 'Flickering Lights'.
    Track: Introducing Louderstar, from the southern edge of the world, with their debut ethereal single 'Flickering Lights'.
  • Album Review: Looking For People To Unfollow Finds Ecca Vandal Refusing Every Genre Boundary
    Album Review: Looking For People To Unfollow Finds Ecca Vandal Refusing Every Genre Boundary
  • Live Gallery: Earl Sweatshirt And MIKE Make Their Sydney Opera House Debuts At Vivid LIVE 24.05.2026
    Live Gallery: Earl Sweatshirt And MIKE Make Their Sydney Opera House Debuts At Vivid LIVE 24.05.2026
  • Live Gallery: KT Tunstall Revisits Eye To The Telescope At Sydney’s Metro Theatre 23.05.2026
    Live Gallery: KT Tunstall Revisits Eye To The Telescope At Sydney’s Metro Theatre 23.05.2026
  • News: The Sisters of Mercy announce Australian  tour
    News: The Sisters of Mercy announce Australian tour
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d