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Track: Eilish Gilligan – Flesh

  • October 29, 2020
  • Arun Kendall
I’m in complete awe of those people who have managed to use the period of COVID isolation to up their game in terms of creativity and output, and Eilish Gilligan,…
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Premiere: Pat Jaffe releases gorgeous video for title track ‘Eldorado’ off his debut classical album.

  • October 28, 2020
  • Arun Kendall
We are delighted to be given the opportunity to premiere the video for the title track of Australian pianist/composer Pat Jaffe‘s debut album ‘Eldorado’. Unusually for us, this is a…
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Track: Catastrophe & Cure – Another Wave

  • October 28, 2020
  • Craig Young
Indie band Catastrophe & Cure are sharing their latest single, ‘Another Wave’, taken from their album ‘Somewhere Down the Line’ out now via Töchtersöhne records. The band comments: “’Another Wave’…
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Sealand Airlines – ‘Sailing Girl’: hook-laden prog-pop from Ukraine

  • October 28, 2020
  • Chris Sawle
SEALAND AIRLINES, the up ‘n’ coming Ukrainian prog quartet comprised of keyboardist Andrii Davydenko, guitarist Mykhailo Kanafotskyi; bassist and vocalist Artem Bemba, who also lends a little keyboards, flute and…
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Premiere: Desure releases new track and visuals for the beautifully melancholy Hi/Lo

  • October 28, 2020
  • Jim F
Los Angeles Desure, aka Joshua Desure, is gearing up for the release of his Pollen EP, out on November 20th, and ahead of it, we’re delighted to premiere the lyric…
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Raindance Review: Survival Skills

  • October 28, 2020
  • Rob Aldam
There’s no genre of film quite like horror when it comes to obsessive fans. There’s equally nothing quite like their love for all things retro in any other sphere of…
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SEE: Generation – ‘Suicidal Champagne’: first salvo from Liverpool’s new trashrock gods

  • October 28, 2020
  • Chris Sawle
JAMES and Dean Carne, the Liverpudlian ‘brothers sin’, grew up on a diet of fine funk and soul, but both had a eureka moment when they fell for the less…
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SEE: Johanna Burnheart – ‘Silence Is Golden’: where jazz meets tUnE-yArDs

  • October 28, 2020
  • Chris Sawle
JOHANNA BURNHEART is something of a rarity in the jazz sphere, as her aural device of choice is the violin. She is, you could perhaps say, sat inside a niche…
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Raindance Review: Nafi’s Father

  • October 28, 2020
  • Rob Aldam
The European colonisation of Africa wreaked a scale of damage on the continent from which it may never recover. Africans were exploited and killed for precious natural and human resources.…
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ALBUM REVIEWS: Lucifer – ‘Black Mass’; Ataraxia – ‘The Unexplained’: spooky Moog vibes from Mort Garson, reissued

  • October 27, 2020
  • Chris Sawle
SIXTIES’ and Seventies’ electronica is a weird and eccentric world, seemingly populated by mad genii and creative mavericks with clipboards and lab coats, observing banks of machinery at sonic play.…
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