On a humid Sydney evening, the Enmore Theatre settles into a low-lit hush as James Lavelle steps forward to revive UNKLE SOUNDS. It’s his first time in Australia since 2011, and the set moves fluidly through deep cuts and club-rooted textures, visuals pulsing behind him in a bespoke collage of filmic fragments. It feels curated rather than nostalgic, a reminder of Lavelle’s long-standing relationship with global club culture.
Then, as the room exhales, Morcheeba take the stage.
Celebrating 30 years since emerging from the UK’s trip-hop undercurrent, Morcheeba’s return to Sydney feels unhurried and assured. Skye Edwards’ voice arrives with a quiet authority — soft, unmistakable, unforced — gliding across Ross Godfrey’s layered guitar work and downtempo grooves with a composure that has only deepened over time.
Material from their latest album Escape the Chaos sits comfortably alongside the catalogue that built their reputation. The band’s fusion of psychedelic textures, soulful melody and understated rhythm still sounds remarkably intact. Nothing is rushed. Nothing is overplayed.
What’s striking is how little the music feels tethered to any single era. Ross Godfrey’s guitar lines shimmer without excess, weaving through electronic undercurrents that never overwhelm. The arrangements breathe. The band trust the space between notes.
There is no overt attempt to mythologise the past. Yes, the milestones are there — over 10 million albums sold, platinum records, collaborations with David Byrne and cinematic moments with Steven Soderbergh — but onstage, the focus is simply on sound and connection.
The Enmore crowd, spanning original 90s devotees and newer listeners, responds in kind. It’s less frenzy, more immersion. Heads nod. Eyes close. Conversations quieten.
Trip-hop was never about spectacle. It was always about atmosphere. And at the Enmore, Morcheeba remind Sydney that atmosphere still matters.
The tour moves to Brisbane next, tickets HERE.
Images Deb Pelser
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