Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music
  • Track / Video

Album review: Orla Gartland lays it bare beautifully with debut album ‘Woman on the Internet’ – Catch her UK/Ireland tour this October/December

  • August 29, 2021
  • Tania Ogier
image: karina barberis
Total
0
Shares
0
0
0

Dublin-born, London-based singer/producer Orla Gartland has released her long-awaited debut album, Woman On The Internet via her own label New Friends. The beautifully flowing collection charts the artist’s emotional journey with fervour and introspection in equal measure, proving an incisive debut that is big on both feelings and sound.

The culmination of years of music making, live shows and Gartland honing her production skills, the new album features the singles More Like You, Pretending, Zombie!, Do You Mind? and You’re Not Special, Babe, with Gartland deliberately placing herself front and centre of its creation and lyrical content.

Written during lockdown in 2020 and recorded in October at Middle Farm Studios, Devon with co-producer Tom Stafford and Gartland’s own two-piece touring band, ‘Woman On The Internet’ moves swiftly between alt-rock, punk, folk and synth-pop, with inventive musical arrangements and insightful lyrical observations. Gartland cites Haim, Phoebe Bridgers and St. Vincent’s album Strange Mercy as being particular influences.

About the album’s title, Gartland explains: “She’s a caricature; a nameless, faceless figure telling me to eat better or buy some specific hair product; when I feel low I’m so vulnerable to questionable advice. The woman appears in these songs as someone I look to for guidance when it feels like no one in my real life can help, when I’m truly lost. A lot of this album is about learning to really own that lostness.”

Opening track Things That I’ve Learned is nimble in its lyricism and hardly skips a beat in delivering it’s earnest message with tight percussion and close harmonies. Continuing the journey to self-discovery is You’re Not Special, Babe, a sweetly euphoric, galloping indie-pop anthem devoted to giving comfort in the face of disappointment and self-doubt.

The more dramatic, reverb-drenched guitars of Pretending compellingly convey the exhaustion of pretending, day after day, to be someone you’re not: “I’m so fucking self-aware, it’s exhausting, and no matter how I try I repeat it every night”. Zombie, with its more punk elements, warn a friend against pushing trauma and rage down, for it only to come back up again.  

More Like You, with its fragile, caressing vocals, frankly discusses Gartland’s own struggles with feelings of inferiority. Personal favourite, Codependency, is a sunshiny pop number with delicate harmonies and hectic guitars that belie the track’s darker themes.

Throughout, Gartland reinforces the importance of acknowledging emotions rather than repressing them and ending up in a darker place. Her commitment to honesty comes from a desire for genuine connection. “I’d love for people to come away understanding me more, but also it doesn’t have to be all about me,” she says. “Even if it’s the odd lyric here and there, I’d love it if people felt more understood just by listening to the album.” Ironically, it’s by laying her imperfections bare that Gartland has created such a compelling album.

“Woman on the Internet is about the chaos of my 20s. It’s a different chaos to your late teens, such a different brand of angst. I feel so much more settled and sure of myself now than I was when I was 18 or 19 but I’m still just half the person I’m going to be and to capture that became really important.” -Orla Gartland

Woman On The Internet follows Gartland’s first two acclaimed Eps – 2019’s Why Am I Like This? and the follow up Freckle Season, released in February 2020. Gartland’s songs have amassed over 55 million streams and more than 750,000 monthly Spotify listeners.

Orla Gartland is due to play a run of headline tour dates across October and December 2021, including a headline date at London’s Electric Ballroom, and a hometown show in Dublin. Tickets are on general sale now, available via orlagartland.com.

Buy / listen to Woman on the Internet HERE

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Dublin
  • Indie
  • orlagartland
  • Synth-Pop
  • womanontheinternet
Tania Ogier

Previous Article
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Children Collide’s ‘Time Itself’ is a cathartic, thundering, heavy metal psychedelic trip, plus tour details announced.

  • August 29, 2021
  • Arun Kendall
View Post
Next Article
  • Album Reviews
  • Backseat Downunder
  • Music

EP: Melbourne’s Liam Turner unveils ‘Which Way To Go’: a glittering smooth jazz-infused collection of songs.

  • August 30, 2021
  • Arun Kendall
View Post
You May Also Like
KATE MILLER-HEIDKE
View Post
  • Backseat Downunder
  • Music
  • News

News: Kate Miller-Heidke announces biggest Australian tour yet for 2027

  • Deb Pelser
  • November 7, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: TINGO – ‘Medvind Modvind’: Naturally flowing Nordic jazz-folk which shimmers with a fresh perspective.

  • John Parry
  • November 7, 2026
View Post
  • Music

EP Review: David Heine – Suspended In Time

  • Adrian Barr
  • November 7, 2026
Courtney Barnett
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Courtney Barnett brings Creature of Habit home to Sydney Opera House 6.11.2026

  • Deb Pelser
  • November 6, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: The Argon Room conjure a dark, glistening requiem in the long shadow of Bowie on debut ‘Algorithms For Happiness’

  • Arun Kendall
  • November 5, 2026
Less Than Jake
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Less Than Jake turn the Enmore Theatre into a ska-punk party with The Aquabats! and The Suicide Machines 5.11.2026

  • Deb Pelser
  • November 5, 2026
View Post
  • Music
  • News

News: Peter Hook & The Light take Joy Division’s ‘Unknown Pleasures’ and ‘Closer’ on a French tour in March/April 2027

  • Arun Kendall
  • November 5, 2026
Katseye
View Post
  • Backseat Downunder
  • Music
  • News

News: KATSEYE add third and final Melbourne show as WILDWORLD TOUR demand explodes

  • Deb Pelser
  • November 5, 2026
midlake
View Post
  • Backseat Downunder
  • Music
  • News

News: Midlake return to Australia for first tour in 13 years

  • Deb Pelser
  • November 5, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Quivers unveil jangle pop delight ‘Bottle The Nervous’ ahead of Australian, UK and European dates.

  • Arun Kendall
  • November 4, 2026

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
  • Live Gallery: Courtney Barnett brings Creature of Habit home to Sydney Opera House 6.11.2026
    Live Gallery: Courtney Barnett brings Creature of Habit home to Sydney Opera House 6.11.2026
  • News: Kate Miller-Heidke announces biggest Australian tour yet for 2027
    News: Kate Miller-Heidke announces biggest Australian tour yet for 2027
  • Meet: 10 Questions With ... Delilah Bon
    Meet: 10 Questions With ... Delilah Bon
  • Album Review: TINGO – ‘Medvind Modvind’: Naturally flowing Nordic jazz-folk which shimmers with a fresh perspective.
    Album Review: TINGO – ‘Medvind Modvind’: Naturally flowing Nordic jazz-folk which shimmers with a fresh perspective.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d