Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • Film Festival

Sundance Review: Sabaya

  • January 30, 2021
  • Rob Aldam
Total
1
Shares
0
0
1

In summer 2014, daesh captured the town of Sinjar and most of the Sinjar district in Northern Iraq. The population fled into the mountains, including an estimated forty thousand Yazidis. The insurgents waged a systematic campaign of genocide against the Yazid People, capturing girls and young women and murdering everyone else. Whilst the exact number is hard to quantify, it’s estimated that there are two thousand ‘sabaya’, or sex slaves, still in captivity in Syria.

Al-Hol Camp in north-eastern Syria houses over seventy thousand deash supporters. It’s considered the most dangerous camp in the Middle East and the terrorists still hold sway in the area. Volunteers from the Yazidi Home Centre, including Mahmud and Ziyad, have dedicated their lives to rescuing girls who have been smuggled and held in the encampment. They work with infiltrators, formers slaves themselves, raiding at night under the cover of darkness. Hogir Hirori’s documentary, Sabaya, follows their work.

Using undercover footage, interviews with the rescued women and following the volunteers as they undertake their dangerous work, Sabaya tells the story of unassuming and everyday heroes. Both the infiltrators and people like Mahmud and Ziyad risk their lives on a daily basis. Their mission is of the most critical importance. While daesh may no longer attract much media coverage in the West, their influence is still evident in many places. Sabaya does what great documentaries do well. It exposes a largely unknown issue in a way which is informative, emotive and entertaining.

Sabaya screens at Sundance Film Festival.  

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
1
Shares
Share 0
Tweet 0
Pin it 1
Related Topics
  • Dogwoof
  • Hogir Hirori
  • Sabaya
  • Sundance Film Festival
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Music
  • Track / Video

Track: -(16)- share track ‘Tear It Down’ from Split Doom Session Album

  • January 30, 2021
  • Craig Young
View Post
Next Article
  • Film
  • Film Festival

Sundance Review: In the Earth

  • January 30, 2021
  • Rob Aldam
View Post
You May Also Like
Tamra Davis
View Post
  • Backseat Downunder
  • Film
  • Film Festival
  • FIlm Review
  • Music
  • News

Film Review: ‘The Best Summer’ is a bittersweet time capsule of alternative music’s golden age

  • Deb Pelser
  • June 8, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Premiere: 'Everybody Calls Except You'  - Modern Ideas eloquently lament being infirm and ignored with a deft pop touch
    Premiere: 'Everybody Calls Except You' - Modern Ideas eloquently lament being infirm and ignored with a deft pop touch
  • Track: Chelsea Wolfe Begins A New Chapter With Two Atmospheric New Tracks
    Track: Chelsea Wolfe Begins A New Chapter With Two Atmospheric New Tracks
  • Live Review: Belle and Sebastian / Saint Etienne – Piece Hall, Halifax, 21.06.2026
    Live Review: Belle and Sebastian / Saint Etienne – Piece Hall, Halifax, 21.06.2026
  • Track: Uh Huh Her Return With New Single ‘Shook’ And Nocturnes: Redux
    Track: Uh Huh Her Return With New Single ‘Shook’ And Nocturnes: Redux
  • Live Review plus Gallery: Headache, Dark Mofo Festival, Odeon Theatre, 18.06.2026
    Live Review plus Gallery: Headache, Dark Mofo Festival, Odeon Theatre, 18.06.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d