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experimental

501 posts
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See: Conrad Clipper – ‘Heron’s Book Of Dreams’: piano pastoralism from Berlin composer hiding in pseudonymity

  • March 5, 2021
  • Chris Sawle
CONRAD CLIPPER is the pseudonymous venture of a Berlin composer and multi-instrumentalist who has a focus on prepared, programmed and played piano. He’s lauded over at BBC Radio 3’s Late…
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Premiere: Christine Ott – ‘Landscape’: haunting modern compositional pastoralism

  • March 5, 2021
  • Chris Sawle
THE FRENCH composer and multi-instrumentalist Christine Ott can never be accused of running with the pack in her compositional aesthetic; down the years since her first release, Solitude Nomade, in…
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See: The video for Matt Emery’s ‘Anxiety Mist’: a samurai waiting for battle as told by solo cello

  • March 4, 2021
  • Chris Sawle
BRITISH composer Matt Emery, who calls the lovely Injazero Records home, has launched a series of recordings focusing on one instrument at a time; and for his first EP in…
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News: Secrets of Elements announces April album; hear the grand electronic sweep of ‘Cassini’

  • March 3, 2021
  • Chris Sawle
THE GERMAN composer, multi-instrumentalist and producer Johann Pätzold, who records as Secret of Elements, has announced the release of his first album since 2011’s Minds. It’s to be entitled Chronos, and it’ll be…
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Album review: Field Works – ‘Cedars’: Stuart Hyatt fuses cosmic Americana and Arabic sounds; the results are luscious

  • March 1, 2021
  • Chris Sawle
Cedars is quite a record - two records really; the first more orange and various other colours of the sun's framing of the beginning and the ending of the day, alive with a heartfelt yearning and cosmic sonic thrill. The second is far more verdant, deep green, homespun, and focuses in very much in on the wonder of the simple; the moments we all return to, perhaps, at least us rural dwellers. If you're at all conceptually familiar with the work of William Blake, his Songs Of Innocence And Experience, you'll see; the twining and correspondences. Climb into Cedars, join the two worlds for yourself; the album is long on thought and also on beauty.
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See: Tristan Welch – ‘I Live In Filth’: Washington guitarist presents icy dronescapes

  • February 28, 2021
  • Chris Sawle
WASHINGTON’S dark ambient guitarchitect Tristan Welch has announced a new album for the end of April, Temporary Preservation; and has released a first taster single in the twilit soundscapes of…
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See: Tristan Kasten-Krause – ‘Dawn Looming’: delicious dronescapes for a new day

  • February 28, 2021
  • Chris Sawle
NEW YORK-based bassist and composer Tristan Kasten-Krause likes to mix it up, see a little of the creative world. As well as being active on the Big Apple’s DIY and…
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See: The incredible hand-drawn video to ’68’s ‘Bad Bite’: righteous noise proves less is so much more

  • February 27, 2021
  • Chris Sawle
ATLANTA noiseniks ’68 have a much-anticipated new album, Give One Take One, out on Cooking Vinyl at the end of next month; in advance of which they’ve unveiled a frankly…
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Track: Gazelle Twin & NYX – ‘Deep England’; burrowing into the dank peat of a merrie old nation

  • February 22, 2021
  • Chris Sawle
THE DANK, dystopian country that is Merrie England is being scried through a glass darkly by Gazelle Twin in shadowy conceit with the NYX electronic drone choir, who are kicking…
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Album review: Mapstation – ‘My Frequencies, When We’: playful, immensely thoughtful tronica

  • February 22, 2021
  • Chris Sawle
My Frequencies, When We may not flaunt its wares with garish insouciance; but like so many of the albums that end up welded to your turntable, it keeps on enticing you back for more exploration, further interaction. It occasionally raises a grin and equally occasionally, an eyebrow; it's varied in its approach yet thoroughly cohesive. It's an immensely thoughtful record
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