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Posts by tag

experimental

514 posts
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See: The incredible hand-drawn video to ’68’s ‘Bad Bite’: righteous noise proves less is so much more

  • February 27, 2021
  • Chris Sawle
ATLANTA noiseniks ’68 have a much-anticipated new album, Give One Take One, out on Cooking Vinyl at the end of next month; in advance of which they’ve unveiled a frankly…
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Track: Gazelle Twin & NYX – ‘Deep England’; burrowing into the dank peat of a merrie old nation

  • February 22, 2021
  • Chris Sawle
THE DANK, dystopian country that is Merrie England is being scried through a glass darkly by Gazelle Twin in shadowy conceit with the NYX electronic drone choir, who are kicking…
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Album review: Mapstation – ‘My Frequencies, When We’: playful, immensely thoughtful tronica

  • February 22, 2021
  • Chris Sawle
My Frequencies, When We may not flaunt its wares with garish insouciance; but like so many of the albums that end up welded to your turntable, it keeps on enticing you back for more exploration, further interaction. It occasionally raises a grin and equally occasionally, an eyebrow; it's varied in its approach yet thoroughly cohesive. It's an immensely thoughtful record
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Track: Only Now & Beneath the Ruins – ‘Mine Of Memories’: scorched earth blues foraging for what remains

  • February 21, 2021
  • Chris Sawle
IT’S A dark meshing of minds: experimental electronic producer Only Now and guitarist Beneath The Ruins have convened out in the sonic edgelands for a joint debut EP, Anamnesis, out next month. The artists…
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Track: Cameron Knowler & Eli Winter share the spiralling guitar wonder of ‘Parapraxis of a Dragonfly’

  • February 21, 2021
  • Chris Sawle
TWO ADEPT young guns of the fingerstyle guitar, Cameron Knowler and Eli Winter really came to appreciate each other on a winter tour of the Trans-Pecos region of West Texas. …
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Album review: Samuel Sharp – ‘Patterns Various’: diaristic, timeless sax explorations

  • February 18, 2021
  • Chris Sawle
Patterns Various sits in a emerging tradition of very beautiful single-instrument essays; a very personal journey, and a very English one, captures its moments so well that people will be sure to revisit it for decades to come
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Track: Mike Lazarev – ‘Finale’: Ukrainian composer drops the final curtain from next week’s delicious mini-album

  • February 18, 2021
  • Chris Sawle
THE IDEA of a soundtrack to an imaginary film is something we here at Backseat Mafia love straight off the bat, right back to when we fell for Barry Adamson’s…
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Album Review: FM Einheit orchestrates dreams with “Exhibition Of A Dream.”

  • February 17, 2021
  • Benjii Jackson
Having made mention of KMFDM in a previous review, it would seem that the more euro-centric oddities that are emerging from the winter have made their way into the collective…
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ALBUM REVIEW: CAMERA – ‘Prosthuman’: the current Berlin motorik

  • February 15, 2021
  • Chris Sawle
SO, LET’S talk krautrock. In many ways, it’s all about the rhythm, isn’t it? Think Can; think Jaki Liebezeit, that perfect control, poise, underpinning. Motorik, propulsion, but also tremendous fills…
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TRACK: Balmorhea – ‘The Myth’: Texan duo reveal a first track from their forthcoming album for Deutsche Grammophon

  • February 14, 2021
  • Chris Sawle
BALMORHEA, the Texan duo of Rob Lowe and Michael A. Muller, whose particular take on the modern compositional form nods to the American West, have signed to Deutsche Grammophon for…
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