experimental
ALBUM REVIEWS: Andrew Elaban – ‘Variegated Tributary’/Claire Rousay – ‘Tuufuhhoowaah’: by turns, handsomely dronesome and fiercely plunderphonic
WHITED SEPULCHRE is one of those loving little curators of out-musics that play nuanced and important roles in our lives: their guiding light is that these creations are out there, finding the ears of those who are receptive, who will swoon, who’ll gather little aural treasures to their chests. The label has been operating out …
SEE: the Suicide chop-up of $hit & $hine’s ‘Hillbilly Moonshine’ – album in October
WHEN the going gets tough … You know the rest. A summer that’s bust more than a few consciousnesses has proved the right conditions for Austin, Texas’s Craig Clouse, who records fractured drone-psych with a dancefloor edge as $hit & $hine, to lay down deep frazzled psych groove, which we can lose ourselves in come …
ALBUM REVIEW: Conrad Schnitzler/Frank Bretschneider – ‘Con-struct’: beguilingly far out in sound deconstruction
Frank Bretschneider’s instalment in Bureau B’s occasional ‘Con-struct’ series is a fascinating, rewarding and wholly synapse-rearranging glitchtronica journey – do not operate heavy machinery under the influence
TRACK: Olivier Alary & Johannes Malfatti – ‘Drifting’: out-classical, ISDN warmth
MONTREAL-based, Toulousain composer Olivier Alary and his Berlin-based compatriot Johannes Malfatti have been friends for many years – that kind of relationship so much easier to conduct in our modern fibre-optic world. With an album apiece under their belts: Johannes’ Surge for Glacial Movements, and Olivier’s 2016 debut for FatCat’s 130701 imprint, Fiction/Non-Fiction, it became …
ALBUM REVIEW: Dmitry Evgrafov – ‘Surrender’: fashioning post-classical into new shapes
FATCAT’S boutique 130701 imprint is neck and neck with Erased Tapes as the stable of the sometimes rarified, always immensely listenable world of modern- and post-classical; especially the piano-based end of the colour wheel, the arena from which Dmitry Evfragov springs, and at which imprint he releases among the esteemed company of Max Richter, Johann …
SEE: Matmos’s ‘No Concept’: boundary-pushing collagists return
THEY’VE been quietly toying with our minds for many years now, Matmos: like the doll at the back of the wardrobe which, blessed with life, just twitches and stirs enough at 3am once in a while to introduce doubt into our brains. Exhibit one, m’lud: A Chance To Cut Is A Chance To Cure, their …
Premiere: The Son(s)’ icy, baptismal video for ‘Lord, I Am Grateful’
EDINBURGH’S The Son(s) are not a band to shy away from the raw side of living in their creative pursuits. The video for their latest song, which the band are premiering today with Backseat Mafia, is the absolutely soul-wide-open paean “Lord, I Am Grateful”, and which was filmed immersed in the icy, peaty currents of …
TRACK: Richard Skelton – ‘For The Application Of Fire’: a new electronic spellbook
RICHARD SKELTON is absolutely what you might term a polymath. A poet, writer and artist, intensely concerned with the nature and experience of place, he only began to fashion musics in 2004 after a tragic personal loss. Since then he has released something like fifty albums and EPs, under his own name and aliases such …
ALBUM REVIEW: Gunther Wüsthoff – ‘[to|dig]ital’: deep tronica from the Faust man’s vault
BUREAU B is one of those beautifully interesting labels – nein, curators – out there on the fringes, lovingly delving in the depths of the crates, remastering and compiling, making sure an absolute plethora of lost music is brought back to our ears. It’s main archival thrust is to dig beyond the major catalogue of …
See: Standing On The Corner – G-E-T-O-U-T!! The Ghetto
American experimental jazz group Standing On The Corner Art share the video for track ‘G-E-T-O-U-T!! The Ghetto’ starring 7 year old Star Annalise Chanel Renee Williams and Directed/Poetry by Carlos de Jesus (The Devil is a Condition, The Picnic) The video shot of a live performance has Williams introducing the band as an intro before …