experimental Archives - Page 43 of 50

See: Anna von Hausswolff reveals new album, plus new video for ‘Sacro Bosco’

If you are looking for gothic atmosphere, dark waves of sound and focused experimentalism then Anna von Hausswolff is waiting for you. Last seen supporting Sunn O))) in full band…

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SEE: Ólafur Arnalds returns with the beautiful noir of ‘Back To The Sky’

IF YOU like your music to come with an architecture of gorgeously constructed post-classicism, an experimental and conceptual edge, yet still have enough presence in the world of contemporary pop…

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PREMIERE: The Galaxy Electric – ‘Tomorrow Was Better Than Yesterday’: retrotronics to watch Earthrise

THE GALAXY ELECTRIC is American husband and wife duo Augustus and Jacqueline, who adore the music of the past of the future: that sweet, groovy as hell, jetpack-sporting and pristine…

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ALBUM REVIEWS: Andrew Elaban – ‘Variegated Tributary’/Claire Rousay – ‘Tuufuhhoowaah’: by turns, handsomely dronesome and fiercely plunderphonic

WHITED SEPULCHRE is one of those loving little curators of out-musics that play nuanced and important roles in our lives: their guiding light is that these creations are out there,…

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SEE: the Suicide chop-up of $hit & $hine’s ‘Hillbilly Moonshine’ – album in October

WHEN the going gets tough … You know the rest. A summer that’s bust more than a few consciousnesses has proved the right conditions for Austin, Texas’s Craig Clouse, who…

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ALBUM REVIEW: Conrad Schnitzler/Frank Bretschneider – ‘Con-struct’: beguilingly far out in sound deconstruction

Frank Bretschneider's instalment in Bureau B's occasional 'Con-struct' series is a fascinating, rewarding and wholly synapse-rearranging glitchtronica journey - do not operate heavy machinery under the influence

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TRACK: Olivier Alary & Johannes Malfatti – ‘Drifting’: out-classical, ISDN warmth

MONTREAL-based, Toulousain composer Olivier Alary and his Berlin-based compatriot Johannes Malfatti have been friends for many years – that kind of relationship so much easier to conduct in our modern…

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ALBUM REVIEW: Dmitry Evgrafov – ‘Surrender’: fashioning post-classical into new shapes

FATCAT’S boutique 130701 imprint is neck and neck with Erased Tapes as the stable of the sometimes rarified, always immensely listenable world of modern- and post-classical; especially the piano-based end…

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SEE: Matmos’s ‘No Concept’: boundary-pushing collagists return

THEY’VE been quietly toying with our minds for many years now, Matmos: like the doll at the back of the wardrobe which, blessed with life, just twitches and stirs enough…

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Premiere: The Son(s)’ icy, baptismal video for ‘Lord, I Am Grateful’

EDINBURGH’S The Son(s) are not a band to shy away from the raw side of living in their creative pursuits. The video for their latest song, which the band are…

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