experimental Archives - Page 44 of 51

SEE: Ólafur Arnalds returns with the beautiful noir of ‘Back To The Sky’

IF YOU like your music to come with an architecture of gorgeously constructed post-classicism, an experimental and conceptual edge, yet still have enough presence in the world of contemporary pop…

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PREMIERE: The Galaxy Electric – ‘Tomorrow Was Better Than Yesterday’: retrotronics to watch Earthrise

THE GALAXY ELECTRIC is American husband and wife duo Augustus and Jacqueline, who adore the music of the past of the future: that sweet, groovy as hell, jetpack-sporting and pristine…

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ALBUM REVIEWS: Andrew Elaban – ‘Variegated Tributary’/Claire Rousay – ‘Tuufuhhoowaah’: by turns, handsomely dronesome and fiercely plunderphonic

WHITED SEPULCHRE is one of those loving little curators of out-musics that play nuanced and important roles in our lives: their guiding light is that these creations are out there,…

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SEE: the Suicide chop-up of $hit & $hine’s ‘Hillbilly Moonshine’ – album in October

WHEN the going gets tough … You know the rest. A summer that’s bust more than a few consciousnesses has proved the right conditions for Austin, Texas’s Craig Clouse, who…

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ALBUM REVIEW: Conrad Schnitzler/Frank Bretschneider – ‘Con-struct’: beguilingly far out in sound deconstruction

Frank Bretschneider's instalment in Bureau B's occasional 'Con-struct' series is a fascinating, rewarding and wholly synapse-rearranging glitchtronica journey - do not operate heavy machinery under the influence

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TRACK: Olivier Alary & Johannes Malfatti – ‘Drifting’: out-classical, ISDN warmth

MONTREAL-based, Toulousain composer Olivier Alary and his Berlin-based compatriot Johannes Malfatti have been friends for many years – that kind of relationship so much easier to conduct in our modern…

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ALBUM REVIEW: Dmitry Evgrafov – ‘Surrender’: fashioning post-classical into new shapes

FATCAT’S boutique 130701 imprint is neck and neck with Erased Tapes as the stable of the sometimes rarified, always immensely listenable world of modern- and post-classical; especially the piano-based end…

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SEE: Matmos’s ‘No Concept’: boundary-pushing collagists return

THEY’VE been quietly toying with our minds for many years now, Matmos: like the doll at the back of the wardrobe which, blessed with life, just twitches and stirs enough…

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Premiere: The Son(s)’ icy, baptismal video for ‘Lord, I Am Grateful’

EDINBURGH’S The Son(s) are not a band to shy away from the raw side of living in their creative pursuits. The video for their latest song, which the band are…

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TRACK: Richard Skelton – ‘For The Application Of Fire’: a new electronic spellbook

RICHARD SKELTON is absolutely what you might term a polymath. A poet, writer and artist, intensely concerned with the nature and experience of place, he only began to fashion musics…

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