indie interview
Meet: Desperate Journalist interview
It didn’t take long for us to fall in love with Desperate Journalist. Pick any of their tracks, and within the first few bars, you are immediately whisked away to indie heaven. The London based quartet are most definitely at the top of our must see bands of 2015 and later this month they will …
Meet: We interview ESPER SCOUT: As recommended by Mark E Smith !
Esper Scout come, in my mind anyway, with one of the highest accolades possible in indie music. Better than a Grammy, or any Mercury Prize, they come with approval of none other than Mark E Smith. The Leeds based band create experimental rock that is infused with rich, vivid guitar workings, over repetitious rhythmic drumming, …
Rising: We talk with Edinburgh post-rockers Wozniak
We were sort of captured when we heard ‘El Maresme’, the latest single by Edinburgh’s Wozniak. We’ve heard layers of guitars before, but this was something else. Moody, downcast even, but writhing beneath layer upon complex layer of effects laden guitars. Our minds might not be the strongest things out there, but they were well …
Meet: Auteurs re-release New Wave, plus an interview with Luke Haines
There were some musical highlights in 1993 – In Utero, Nirvana’s brilliant follow-up to Nevermind, Songs of Faith and Devotion showed Depeche Mode could continue to grow, and there, hidden away in that years Mercury Music Prize nominations, alongside Stereo MC’s Connected, PJ HArveys Rid of Me, and the eventual winner – Suede’s self titled …
Meet: Q&A with Gene’s Matt James
My heart, in the 90’s at least belonged to Gene. The indie quartet appeared out of the haze of The Smiths, were loved by almost crazily obsessive fans, released a handful of albums that touched both the charts and the heart strings, and then split. They set the standard for emotive indie rock, with front …
Screaming Maldini Singer Gina Walters gives us the low-down on their new album, track by track.
We’ve already talked about the Screaming Maldini album, here. If you don’t want to read it (go on, it’s really good) then the important facts are these – 1. It is this sort of ‘prog-pop’ that although is essentially brilliant pop, is skewed with weird time-signatures, adventurous instrumentation and soaked in, well ambition 2. Despite …