pop Archives - Page 28 of 197

News: Groovin The Moo’s Lismore Comeback Blends Regional Roots With Global Pull

Groovin The Moo’s return to Lismore feels considered rather than nostalgic. Baker Boy arrives in the wake of DJANDJAY, stepping further into a creative chapter defined by confidence and cultural clarity, while Denzel Curry makes good on unfinished business with Australian audiences. Dope Lemon brings the slow burn of Golden Wolf, Matt Corby readies Tragic Magic, and Ninajirachi continues a steady rise after I LOVE MY COMPUTER reshaped her profile. Around them, local names and emerging artists give the bill a grounded edge, reinforcing the festival’s long standing relationship with regional Australia.

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Premiere: ‘Ready For It’ – after 28 years, The Remotes exclusively unveil their dreamy, evocative new single.

Some things age like a fine wine. Originally a duo comprised of Ollie Browne (Art of Fighting/The Hoodangers) and Kristian Brenchley (S:Bahn, Degreaser), The Remotes released their debut album, ‘Lonely…

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Track: Kayla the Crow Finds Power in Surrender on “The Door”

There’s a gentle bossa nova sway running through “The Door,” but its 5/4 pulse keeps things beautifully off-centre. Featuring Sannie Fox and produced by Josh Berry, the track embraces surrender over struggle. “The door is closing now,” Kayla sings with quiet acceptance, turning endings into a meditation on growth, transformation, and stepping into something new.

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Track: Freya Ridings Returns With Defiant New Single ‘Wild Horse’

Freya Ridings has released ‘Wild Horse’, her first new music of 2026 and a statement of creative renewal. Written in Los Angeles and produced by Sam De Jong, the track marks the beginning of a new chapter ahead of a forthcoming album.

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Track: Holly Hebe Shares Sun-Drenched New Single ‘Swimsuit’

Holly Hebe has released ‘Swimsuit’, a playful yet reflective new single that captures the rush of attraction alongside the inevitability of heartbreak. Fresh from supporting Rainbow Kitten Surprise nationally, the Melbourne artist signals a confident new phase in her evolving pop sound.

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News: Of Monsters and Men Announce Australian Return With The Mouse Parade Tour

Of Monsters and Men will return to Australia in May 2026 for The Mouse Parade Tour, marking their first visit in over six years. The run supports their new full-length project All Is Love and Pain in the Mouse Parade, with Australian artist Gordi joining all dates.

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Live Gallery: Morcheeba Mark 30 Years of Trip-Hop Elegance at Sydney’s Enmore Theatre 19.02.2026

At Sydney’s Enmore Theatre, Morcheeba celebrated 30 years of genre-blurring music. Supported by James Lavelle’s one-off UNKLE SOUNDS show, the night felt less like nostalgia and more like a reminder of how quietly influential trip-hop remains.

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News: ‘Songs of Defiance and Dismay’: U2 Release Surprise ‘Days Of Ash’ EP

U2 have released Days Of Ash, a six-track standalone EP arriving ahead of a new album due in late 2026. Framed by Bono as “songs of defiance and dismay,” the collection responds directly to recent global events, from Minneapolis to Tehran and the West Bank, and features collaborations with Ed Sheeran and Ukrainian musician-soldier Taras Topolia.

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News: Groovin The Moo Returns With One-Off 2026 Lismore Show

Groovin The Moo will return in 2026 with a one-off show in Lismore on 9 May, marking the first step in a long-term sustainable rebuild for Australia’s most loved regional touring festival. Presented by Great Southern Nights with support from the NSW Government and ARIA, the single-stage event signals a deliberate reset while staying true to the festival’s regional foundations.

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Live Gallery: From Putney to Newtown: Transvision Vamp Reignite an Australian Love Affair 17.02.2026

At Sydney’s Enmore Theatre, Transvision Vamp don’t simply revisit the late 80s, they detonate it. Wendy James returns to Australia armed with “Baby I Don’t Care”, “I Want Your Love” and a life story that threads through Mick Jones, Lenny Kaye and the New York underground. The result is less nostalgia trip, more living pop history played at full volume.

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