Posts in tag

Soundtrack


ALBUM REVIEW: Bastien Keb – ‘The Killing Of Eugene Peeps’: an essential novel of an album

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ALBUM REVIEW: LAUREL HALO – POSSESSED (SOUNDTRACK)

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Album Review: Isle of Dogs – Original Soundtrack

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So the soundtrack to an imaginary film makes a return in the hands of Hamburg composer/guitarist The Offline (aka Felix Müller) with his new album ‘La couleur de la mer’ (out now via Deep Matter/Root Records). No that doesn’t mean that this intriguing release clunks through a heavy narrative that will one day make the …

Celebrated Swiss musician and composer Sophie Hunger unveils her mesmerizing soundtrack for the Oscar-winning stop-motion film „Ma vie de Courgette“ and a selection of her compositions for other movies from the last ten years. (Side B). ‘Cinema‘ showcases a decade‘s worth of heartfelt compositions and recordings, offering a unique glimpse into her creative genius. Soundtracks serve as the …

Matt Costa likes to keep busy. He’s working on a new record at the moment, the proper follow-up to 2020’s Yellow Coat, which is expected to surface before the end of the year, but it’s not the only thing he’s releasing in 2023. He doesn’t operate like that, so today he’s putting out a film …

If you are looking to explore a ‘body of work’ rather than a plain old back catalogue then Christina Vantzou’s CV will see you right. The composer, artist and experimental film-maker has been engaged in the refinement of sound and vision since her 2004 collaborative release ‘The Dead Texan’ with Adam Wiltzie (Stars of the …

EWAH and the Vision of Paradise (EVoP) released a magnificent album ‘The Warning Birds’ last year (see my 9.2/10 review here) – an album that I described as being a palimpsest for beauty and decay, wild and turbulent landscapes with the intrusion of modernity and the threats and ugliness this can entail. It is an album that …

EWAH and the Vision of Paradise (EVoP) released a magnificent album ‘The Warning Birds’ earlier this year (see my 9.2/10 review here) – an album that I described as being a palimpsest for beauty and decay, wild and turbulent landscapes with the intrusion of modernity and the threats and ugliness this can entail. It is …

WAY BACK in January we took a dive into Ainu Moisir – our full review can be found, here – a deft, brief quarter-hour of exploratory cello and electronica meshing and also a first entry into the world of the soundtrack for Clarice Jensen, the artistic director of the American Contemporary Music Ensemble. The titular …

WORKING with huge acclaim in the shadowier textures of electronic music now for longer than we care to recall, Kevin Richard Martin – aka The Bug, King Midas Sound, Techno Animal –  has composed a new score for Andrei Tarkovsky’s incredible 1972 sci-fi Solaris, which work will be released on Phantom Limb on June 25th. …

THE NEW soundtrack album is an ambitious and extraordinary ‘first’; the musical accompaniment to the recent DC Comics event, helmed by writer Scott Snyder and artist Greg Capullo. Based upon a hellish Earth twisted beyond recognition, wherein the Justice League is at the mercy of the Dark Multiverse and a diabolical Batman Who Laughs, the …

KNOWN in the hallowed halls of dark electronica for his work as The Bug, King Midas Sound and others, when Kevin Richard Martin was offered a commission to write, record and perform a new score for a film of his choice by the Vooruit Arts Centre in Ghent, it’s perhaps not altogether a surprise that …