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Track: doops Tap Into Modern Disillusionment On ‘everything’s fine’

  • June 27, 2025
  • Simon Lucas-Hughes
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Reading’s rising psych-post-punk trio doops return with their most immersive and emotionally grounded work to date in the form of their new single everything’s fine. Out today via the freshly minted DIY label Hot Earth Records (HER001), the track is a sprawling, sonically rich reflection on the dissonance between expectation and reality in adult life.

Having opened for a number of rising artists including Opus Kink, Do Nothing, and Plantoid, doops have already cemented themselves as one to watch. With everything’s fine, they stretch their sound even further — delivering a track that is equal parts hypnotic, jagged, and deeply resonant.

Fuzzy and fluid, the single flows through phases of eerie restraint and chaotic release. Dual guitar lines weave and stab with angular precision, while reverb-soaked vocals float in and out of focus, forming a soundscape that calls to mind the cosmic detachment of Pink Floyd and King Gizzard & The Lizard Wizard as much as it does the alt-rock tension of Radiohead or Shame. It’s a track that simmers before erupting — a slow build toward an explosive, cymbal-heavy climax that feels both cathartic and inevitable.

Lyrically, frontman Andy trades in metaphor for plainspoken clarity, voicing the quiet struggle of learning to live with compromise. It’s a song for a generation reckoning with burnout, fractured dreams, and the emotional grey zone of modern adulthood.

“This one came out of frustration,” says Andy. “It started as an instrumental with a floating fourth member, Cameron, and grew into something that felt true to us. Lyrically, it’s more straightforward than anything we’ve done. It’s about growing up—not the rose-tinted version, but the version where you’re making hard choices and realising ‘just fine’ might be the best we get. That can be okay. It can even be beautiful.”

Produced by acclaimed studio wizard Shuta Shinoda (Ghostpoet, Anna Meredith, Spiritualized, Daughter among others), and recorded by Spencer Withey at Farm Road Studios, everything’s fine strikes a unique balance between polish and grit. With the band themselves handling mixing and mastering duties, there’s a raw, hands-on texture to the final sound — a testament to their DIY ethos and trust in their vision.

With everything’s fine, doops have carved out a new space in their sonic universe — one where realism and romance collide, blossoming into something ethereal, fuzzy and beautiful.

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