The poet laureate of the southern hemisphere Christopher Coleman & the Soft Knees Band collectively dispense heart rending lyricism over the most ethereal instrumentation in their new album ‘Live at the Chapel’, just released through Coleman’s label Oscar Treehouse Records.
The combination of Coleman’s silken, yearning, aching vocals with the delicacy of the music and his expression serves up something that shimmers like the aurora australis that glitters over the southern skies: delicate notes that sparkle and illuminate the heavens. And the themes reflect Coleman’s innate passion and good heart – and as an expression of solidarity with the families of Palestine undergoing egregious violence all proceeds go to Olive Kids, an organisation dedicated to improving the lives of children displaced in Palestine.
‘Live at The Chapel’ is a delicate and intimate live album recorded in Lutruwita (Tasmania) in December 2024. It marks a departure from his previous solo work, ‘Soft Knee Recordings’ (see my review here), embracing a fuller, more collaborative sound while retaining the introspective and poetic essence that defines Coleman’s artistry with much the same track listing.
The album opens with ‘Acknowledgement of Country, featuring Warren Mason, setting a reflective tone that permeates the entire performance. Coleman’s signature silken vocals intertwine with the band’s gentle instrumentation, creating a soundscape that is both ethereal and grounded in the natural beauty of their surroundings. The term ‘Acknowledgment of Country’ is a ceremonial opening to all public meetings in Australia, of which Reconciliation Australia states:
Incorporating Acknowledgement of Country and Welcome to Country into meetings, gatherings, and events shows respect by upholding Aboriginal and Torres Strait Islander cultural protocols.
Taking the time to Acknowledge Country, or including a Welcome to Country at an event, reminds us that every day we live, work, and dream on Aboriginal and Torres Strait Islander lands.
It is a small but important element of recognising the First Nations people in Australia, and Coleman sensitivity reflects this in his opening track.
Tracks like ‘Shave My Hair’ and ‘Never Wanna Get Over This’ showcase the band’s ability to blend Americana and alt-folk influences with a distinctly Australian sensibility. The arrangements are sparse yet rich, allowing each note to resonate with emotional depth. Coleman’s lyrics continue to explore themes of love, loss, and connection, delivered with a sincerity that is both heart-wrenching and comforting.
‘So Long, Baxie’ stands out as a poignant tribute, its mournful melody underscored by the band’s subtle yet powerful performance. The live setting adds an element of vulnerability, drawing the listener into an intimate experience that feels personal and shared simultaneously.
‘Live at The Chapel’ is a testament to Christopher Coleman’s growth as an artist along with the Soft Knees Band and the deep connection to the land and people of Lutruwita. The album’s understated beauty and emotional resonance make it a compelling listen for those seeking music that speaks to the soul.
For fans of introspective folk and heartfelt songwriting, this live recording offers a glimpse into the heart of one of Australia’s most evocative musical voices.
Live at The Chapel is available for streaming and purchase on Bandcamp.
Feature Photograph: Kishka Jensen
