Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Observers – The Age Of The Machine Entity

  • March 10, 2024
  • Andrew Fuller
Total
0
Shares
0
0
0

Martin Kennedy has been nothing if not prolific in recent times. From All India Radio to collaborations with Gareth Koch and Steve Kilbey, Kennedy has brought us some of the finest moments across many variations incorporated in the rock genre.

His band, Observers, continues this fine tradition he has built. It is the somewhat harder edge of Kennedy’s fertile creations, and marries his life-long love for Stanley Kubrick’s classic, 2001: A Space Odyssey with his musical talents.

Having long been fascinated by heavy metal music, he decided he wanted to fuse some of his more ambient stylings (a la All India Radio) with those of latter-day metal to realise the nagging itch that this proposed album held for him.

To that end, he hired session musicians to lend authenticity to the playing on the album. Recognising that metal fans are fastidious in their love for the style, he employed musicians who actually play within the genre to ensure that he sonically satisfied even the most ardent followers. These include Joao Corceiro – solos on the tracks Moon Doom, Into The Eye & The Star Child; Joe Haley – solo on the track Pod Bay Doors; Jake Weber – solo on the track Strange and Beautiful; Ido Romano – Ney (a type of ancient flute) on Metaphor II and Breno Machado – solos on Frank Poole’s Dream, and The Narrow Way Part II. These musicians accompanied Kennedy on guitars, synths & soundscapes, Chris Bohm on drums and Rich Gray on bass guitar.

To truly describe The Age Of The Machine Entity as “heavy metal” would be somewhat of a misnomer. The album is a structured blend of melodic metal with progressive rock and dark ambient overtones, and is by and large an instrumental album. The album is broken into 8 shorter songs, which I feel help to focus the listener given the lack of lyrics, along with the album’s magnus opus, the 11 minute wonder of Metaphor II. All of the songs on the album were written/co-written by Kennedy, with the notable exception of album closer, The Narrow Way Pt II, which is a David Gilmour-penned piece from Pink Floyd’s Ummagumma (Kennedy’s love for Pink Floyd is a poorly-kept secret).

The music mirrors the original movie and its’ soundtrack by the creative use of space (ambience) and sound to reflect Kubrick’s use of largely instrumental music to create mood, ease and tension. Kennedy has upped the ante however, with his use of modern instrumentation to create similar effects in this amazing reimagining.

If we forget that we are basically listening to a soundtrack album, The Age Of he Machine Entity stacks up fantastically well as an album befitting the genres it lays allegiance to. The album opens with the soaring Into The Eye and is quickly followed by the motorik Frank Poole’s Dream. Chris Bohm’s drumming takes centre stage on the larger-than-life Frozen Lattices of Light, proving that speed is not always the determinant of great playing, but can add huge amounts of atmosphere that songs of this magnitude require.

Strange and Beautiful, and Pod Bay Doors bring out the best of the metal/prog-rock blend and lead into the sublimely epic Moon Doom, which was the first song released from the album. There is a fluidity to the guitar work which may or may not be a nod to the great David Gilmour, but it is done so with the tonality heard in so much modern metal music.

This is where the album diverges slightly, as it heads into the album’s defining 2001: A Space Odyssey moment with the monumental Metaphor II. This is 11 minutes of Kennedy at his creative best, mixing soundscapes and ambience throughout the first half of the track until the synthesizers blend with the drums and guitars to push the track to its’ moment where it bleeds its’ way into the next soaring track, The Star Child. The album then closes with Kennedy’s thunderous re-imagining of The Narrow Way Pt II.

Musical chameleon, Martin Kennedy, along with his assembled players in Observers, has created another near-masterpiece with The Age Of The Machine Entity, and continues to create an impressive library of recorded work under many monikers. This one sits right up with the best of his work, and should be well received by fans of thought-provoking progressive music, so-called space rock and high-quality metal music.

The Age Of The Machine Entity is out now on Spectra Records and can be streamed/purchased on the band’s Bandcamp page here.


Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • backseat downunder
  • backseat mafia
  • Breno Machado
  • Chris Bohm
  • Ido Romano
  • Jake Weber
  • Joao Corceiro
  • Joe Haley
  • Martin Kennedy
  • Observers
  • rock/metal
  • Space Rock
Andrew Fuller

Eclectic music lover, both live and recorded, spanning everything from alt-country to jazz and blues through to punk/classic rock and metal and everything in-between. Passionate gig photographer to boot.

Previous Article
  • Gallery
  • Live Review
  • Music

Live Review: The Bug Club – Village Underground, London 01.03.2024

  • March 10, 2024
  • Don Blandford
View Post
Next Article
  • Backseat Downunder
  • Music
  • News

News: Australia’s Electronic Awakening as The Warehouse Project Makes Southern Hemisphere Debut

  • March 11, 2024
  • Jess Hutton
View Post
You May Also Like
View Post
  • Music

EP Review: Get Together III – Form & Terra Records

  • Adrian Barr
  • May 8, 2026
Charli XCX
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Charli XCX Swaps Brat Chaos For Guitars On New Single Rock Music

  • Deb Pelser
  • May 8, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Aotearoa/New Zealand’s Ringlets release new single ‘Hard Evidence’ ahead of UK/European tour

  • Arun Kendall
  • May 8, 2026
View Post
  • Backseat Downunder
  • Music
  • News

News: Swervedriver Return To Australia To Perform Raise In Full

  • Deb Pelser
  • May 8, 2026
The Church
View Post
  • Backseat Downunder
  • Music
  • News

News: The Church Announce A Psychedelic Symphony With 30-Piece Orchestra

  • Deb Pelser
  • May 8, 2026
Kate Moth
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Too Late To Go Outside Continues kate moth’s Rise In Sydney’s Indie Underground

  • Deb Pelser
  • May 8, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Sydney Alt-Pop Artist Liliana de la Rosa Returns With Cinematic New Track

  • Deb Pelser
  • May 8, 2026
Okay Maidza
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza Dives Into Afrobeat And House On New Single Pressed

  • Deb Pelser
  • May 8, 2026
Angus and Julia Stone
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Angus & Julia Stone Announce New Album Karaoke Bar And Release Title Track

  • Deb Pelser
  • May 8, 2026
Grace Turbo
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere
  • Track / Video

Premiere: Grace Turbo Unpacks Emotional Fallout On New Single Bleed Again

  • Deb Pelser
  • May 7, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
    Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
  • Track: Simon Robert Gibson emanates a ray of gentle sunshine in his new single 'Afterdark'
    Track: Simon Robert Gibson emanates a ray of gentle sunshine in his new single 'Afterdark'
  • Premiere: Lunar Twin announce new album 'Night Jaguar' and unveil lead single, the rich and enigmatic 'Disappear In The Earth'.
    Premiere: Lunar Twin announce new album 'Night Jaguar' and unveil lead single, the rich and enigmatic 'Disappear In The Earth'.
  • Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.
    Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.
  • News: Westlife Announce First Australian And New Zealand Tour In Two Decades
    News: Westlife Announce First Australian And New Zealand Tour In Two Decades
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d