Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

Read More

EP: The delicately beautiful ‘Creatures of Habit’ from Brisbane artist Aren’t is an exquisite triumph. Plus news of launch date.

Read More

Premiere: Versari exclusively unveil for us their new EP Brûle: an epic filled with glorious edits and remixes casting a whole new light on the originals

Read More

Courtney Barnett‘s style is unique and charming: there is a comforting consistency in her dry observational style and yet each release expands and enriches the colours on her canvas. New single ‘Write A List Of Things To Look Forward To’ seems to highlight Barnett’s vocals: there is a crisper melodic edge to them and the …

1 0

The sun shines brighter, even in Australia, when Melbourne masters of jangling pop Even return to the fray. Their new single ‘Cherry Afterglow’ is classic indie pop: massive choruses, driving verses and the scything, ringing guitars. Hints of psychedelia, a dreamy interlude and an approach not afraid of delivering indelible melodies with an anthemic drive. …

0 0

4000 Records in Brisbane might only two years old but it has already developed an impressive and formidable roster in that short time. To celebrate a challenging couple of years since its inception, Chief Musical Officer John Russell organised a day long showcase for his bands – an incredible audacious feat battling COVID restrictions, a …

3 0

Deep in the heart of ‘Minds’, the new album from Sydney duo Fabels, is an exotic mysticism and ethereal glow, emanating from the mysterious vocals and the layered sonic landscapes. The result is something that is quite splendid: an electronic classicism that is borderless and transcendent. Fabels are Hiske Weijers, Ben Aylward (plus live, guest …

0 0

We are honoured to give you an early listen to Sydney musician Bryan Estepa‘s new EP ‘Back to the Middle’. Estepa is a master of the finely crafted pop song: indelible melodies, jangling guitars, glorious harmonies and a shimmering sense of optimism and joy. ‘Back to the Middle’ perfectly captures this: it is a sunshine-infused …

0 0

‘Eternal’, the new single from Melbourne’s Fleeting Persuasion, prowls and circles with a delicious brooding intensity and dark gothic undertones. There is a euphoric mix of a new wave arctic chill with the jangling angular guitars and something more electronic and syncopated. A subtle touch of backing vocals adds a delicate shaft of light. It …

1 0

Hobart/nippaluna resident Ben Salter today releases his epic treatise on the topic of grief, loss and the vicissitudes of aging, ‘twenty-one words for loss’. The entire album was conceived, written and recorded over two days in April earlier this year at Hobart’s landmark Museum of New and Modern Art (MONA) during Salter’s six month residency/installation. …

1 0

Cardiff’s Inland Murmur drew our attention with the release of their delicate and fragile single ‘Waterline’ last month (read my review here), and the duo is back with another aquatic themed single ‘Freshwater’. This new track has the same beautiful poised air with a more vibrant and thundering spine that crashes through intermittently and with …

0 0

‘The Last Exit’ from UK duo Still Corners, released earlier this year (reviewed by me here), was a magnificent and evocative collection of glittering and sparkling songs filled with magic and mystery. Still Corners are back with a new single – ‘Heavy Days’ – and an announcement of a comprehensive tour of the EU and …

0 0

Opening with an instrumental with a spoken dialogue in the track ‘Silent Cities’, the crystalline beauty of New Zealander Nik Brinkman‘s new album ‘Secret Stairs’ become instantly evident. With the shimmering elegance of M83, ‘Silent Cities’ is evocative: bringing to life those late night long distance calls that are filled with yearning and isolation across …

2 0