Track: Can’s live series continues with ‘Live In Brighton 1975’ hitting the racks in a fortnight; hear an excerpt from the jam ‘Brighton 75 Vier’
WITH the Can Live In Stuttgart 1975 set out in the racks now and being eagerly devoured and analysed by fans, Mute and Spoon Records already have the next live set from the actually legendary Can ready on the runway. We’re just two weeks away from the release of the second, sprawling, transporting and wholly …
Track: With her British tour kicking off today, Frazey Ford drops the honeyed, spectral folk of ‘Saul’
WITH an eleven-date UK tour beginning this evening in Milton Keynes, former Be Good Tanya and ethereally transporting talent in her own right Frazey Ford has released a track recorded for sessions for U Kin B the Sun but whose omittance from the final running order will surely surprise you as much as it does …
Album review: Joel Vandroogenbroeck – ‘Far View’: a curated, cosmic library set from the Belgian psychedelic scion
A MUSICIAN who ventured far in both life and his chosen creative form, Joel Vandroogenbroeck is maybe not a name that trips with ease from your lips; unless of course, you’re a proper head of the deep psych persuasion. For Joel was both the driving force behind and ever-present in the hard-psych voyagers Brainticket, whose …
EP review: Deca – ‘Source Material’: mining the library crates for instrumental breakz
LIBRARY music. It’s the crate-diggers’ crate-dig, the study of the deep connoisseur; that (formerly) unloved, workaday, copyright-free realm of production music, originally only of use and interest to the makers of TV programmes – and a useful session payday to everyone from electronic originators such as Delia Derbyshire and Ron Geesin to Pentangle guitarist John …
News: Roedelius and Tim Story will enter into a four-handed piano conversation for Erased Tapes in January; hear ‘Spirit Clock’
A GENUINE, gilt-edged musical legend, German electronic and ambient music pioneer Hans-Joachim Roedelius, now into his eighth decade with us, is to enter into a two-way piano conversation with American composer and friend of 40 years Tim Story for Erased Tapes in January. The 11-track album, entitled 4 Hands, allows the pair to explore an …
Track: Former Zun Zun Egui sonic traveller Yama Warashi steps up and out with the space-jazz chant of ‘Dividual Individual’
BASED in Bristol for a decade and more, since she, Kushal Gaya, Matthew Jones and Luke Mosse first fell upon the complex high-life meets psych meets Deerhoof grooves sound of Zun Zun Egui, and with that band precipitously in the rear-view mirror, Yoshino Shigihara has, for a while now, needed to ring the changes. Come …
Live review: Paddy Steer, The Cornish Bank, Falmouth, November 12th, 2021: outsider electro genius charts a path to the future we were promised
THE ERSTWHILE packet port, maritime centre and now university hub of Falmouth-Penryn, down on the south Cornish Coast, has been consistently punching above its weight this past decade and a half in terms of really good venues with really eclectic music policies. The venues may have come and gone, but Falmouth was generally a little …
Album review: John Thayer – ‘Supermundane’: a palimpsest of nuanced, intelligent ambience
NEW YORK percussionist, audio engineer and all-round musical polymath John Thayer, fresh from two collaborative, cassette-only albums last year – Untangling The Ghost, on which he sparred with reeds player Stank Zenkov, and Mountain Rumors, in tandem with Craig Schenker – is not about to depart this grinding year of our lord 2021 without dropping …
News: William Basinski to bring his magisterial ‘Disintegration Loops’ to The Barbican next June
INCREDIBLE news for lovers of the drone and the textural; New York sound artist and composer William Basinski is to bring his masterful degrading tape-loop work The Disintegration Loops and last year’s set for Temporary Residence, Lamentations, to the awesome brutalist architecture and superb acoustics of London’s Barbican next summer. The concert will celebrate the …
Album review: Resina – ‘Speechless’: a record that takes cello and choir into the apocalypse
KAROLINA REC is the darkly immense talent behind the Resina name, and she’s about to release her third album for FatCat’s modern and post-classical imprint, 130701, entitled Speechless; and as we dive deeper, we’ll see that that title was chosen with acuity. It’ll leave you, often, lost for words. It’s a hell of a record, …