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Blu-Ray Review: Love Jones

  • April 22, 2022
  • Rob Aldam
Darius and Nina
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The 1990s was a strange decade for filmmaking. There were so many films which were critically well-received at the time, financially unsuccessful, but achieved a cult status in the years and decades which followed. This has led to many works being re-appraised and consequently reaching a whole new generation of movie lovers. Giving them a fresh lease of life. This happened with Love Jones, which benefits from writing that was ahead of its time.

Darius (Larenz Tate) is giving a poetry reading at the Sanctuary, an upscale bohemian spot in Chicago. He tailors his love poem to Nina (Nia Long), a talented photographer who he met earlier at the bar. They meet again by chance but while his interest is clear, she’s reluctant to get involved. However, there’s undoubtedly a spark between them but neither wants to commit to a relationship. Something has to give.

Love Jones is one of those films which grows in stature the more you think about it. On the face of it, writer/director Theodore Witcher’s only film is a fairly standard romantic drama, but it works so well thanks to a script which is both sharp and believable and some very engaging performances. While it doesn’t reinvent the wheel, it does leave a lot more ambiguity and potential for individual interpretation. Which can only be a good thing.

Extras:

  • New 4K digital restoration, supervised by director Theodore Witcher, with 5.1 surround DTS-HD Master Audio soundtrack
  • New interview with Witcher and film scholar Racquel J. Gates
  • New interview with music scholars Mark Anthony Neal and Shana L. Redmond on the soundtrack
  • Panel discussion featuring Witcher and members of the cast and crew
  • Trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Danielle A. Jackson

Love Jones is released on Blu-ray in the UK as part of the Criterion collection on 25 April.

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Related Topics
  • Criterion Collection
  • Larenz Tate
  • Love Jones
  • Nia Long
  • Theodore Witcher
  • UK Criterion
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

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