Album Reviews Archives - Page 62 of 343

Album Review: A Journey into the Electronic Unknown – Australia’s King Gizzard & The Lizard Wizard Releases New Album ‘The Silver Cord’

In the dynamic landscape of the music industry, few bands possess the audacious, inventive, and unyielding spirit that characterizes Australia’s King Gizzard & The Lizard Wizard. With their 25th studio…

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Album Review: Bishopskin – Babble

By Mimi Nicholson Bishopskin’s debut album Babble is almost liturgical, with its invocation of religious life and manyrepeated motifs. Rooted sonically in the traditions of folk-revival and London’s post-punk music…

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EP Review: Blake Reyes – Vernacular

The ‘Axis Jazz’ series continues with Milan based Blake Reyes. The album was recorded in 3 different cities including the legendary “Officine Meccaniche“ studio in Milan (Duke Ellington, Quincy Jones,…

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Album Review: Yelka – Krieg & Ferien

*From pointed pates hats fly into the blue / All winds resound as so with muffled cries. / Steeplejacks fall from roofs and break in two / And on the…

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Album News: Emily Jean Flack Shares Debut Album ‘How You Love Me’

Making a unique blend of alternative-pop and traditional folk, Emily Jean Flack has found a space of her own. The daughter of Leahy band member Denise Flack, shines as a…

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Album Review: Flamingods – Head of Pomegranate; London based psych indie quartet return with a delicious slice of fuzzy, summery fun

Bahrain born but London based psych infused quartet Flamingods return with their sixth album, ‘Head of Pomegranate’ out now on the Liquid Lable. It takes the listener on a euphonic world…

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Premiere: Coyle Girelli offers us an exclusive first listen to his magnificent new album ‘Museum Day’.

We here at Backseat Mafia hyperventilate every time there is a new release from UK-born US resident Coyle Girelli with unseemingly scraps over who gets to review his songs. The…

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EP Review: Sarah Buckley – Wind Chimes EP

Irish Indie-Folk artist Sarah Buckley returns with the much-anticipated sophomore EP, Wind Chimes. blending gentle, emotive folk with an indie undertone, Sarah invites listeners on an introspective journey through warming…

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Album Review: The Summertimes unleash a radiant blinding glow in their glorious debut self-titled album.

The debut self-titled album from The Summertimes is an iridescent ray of light, replete with soaring choruses, horn fringes and an overwhelming collection of jingle jangle-encased anthems that shimmer and…

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EP Review: Of Concrete Gods – HurtPeopleHurtPeople

Of Concrete Gods have overcome many an obstacle to get this EP out to the world. The COVID pandemic, coupled with an illness in the band, forced the band to…

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