Music
News: Tom Misch Releases fifth anniversary vinyl addition of album Beat Tape 2
South London producer, songwriter and multi-instrumentalist Tom Misch has announced a special edition of his acclaimed Beat Tape 2 project in celebration of its fifth anniversary. Originally released on his own label Beyond the Groove in 2015, the new edition will be available on gold-colored vinyl, with a limited quantity of hand signed copies available …
See: Public Enemy announce new album, and release Fight The Power 2020 Remix
Iconic hip-hop crew Public Enemy are back, returning to the label that helped to make them – Def Jam, with a new studio album ‘What you gonna do when the grid goes down’, out on September 25th. Ahead of that they’ve released a new remix of their classic ‘Fight The Power’. It opened the 2020 …
Track: Rat Scabies remixes Robert Claverts track ‘Lord Of The Hornets’
Punk musician/raconteur Rat Scabies has remixed Robert Calvert track ‘Lord Of The Hornets’, Lyricist and vocalist for the legendary Hawkwind, Robert Calvert had multiple solo albums and collaborations with the likes of Brian Eno, Arthur Brown, and Motörhead’s Lemmy, before sadly leaving us in 1988. The track originally appeared on Calvert’s 1981 solo album Hype, …
ALBUM REVIEW: Ambassadeurs – ‘Human Stranger’: majorly uplifting, humanist floor-fillers
AMBASSADEURS is the project of Sussex producer Mark Dobson, a man who’s approach to music is deeply personal, involved. He doesn’t churn it out because he has the means; he fashions and creates and recreates and channels, he sends tunes out into the world when they’re ready to communicate what is intended. He’s got one …
ALBUM REVIEW: Sam Prekop – ‘Comma’: further into wordless ‘tronica melodies
EMERGING from that Chicago scene so ripe with cross-fertilisation and ideas around the turn of the century, Sam Prekop was part of that fountain of creativity that brought us Tortoise, Bobby Conn, Jim O’Rourke’s shift into pop melodicism, Freakwater; many more. Sam himself cut his recording teeth alongside Archer Prewitt and John McEntire in The …
ALBUM REVIEW: Sally Anne Morgan – ‘Thread’: homespun Appalachian warmth from Black Twig Pickers’ player
QUIETLY collaborating away in some of the finer, truest to tradition acts of the Americana movement such as the Black Twig Pickers, the time is now ripe for multi-instrumentalist Sally Anne Morgan to step forward with an album under her own name. Chicago’s Thrill Jockey label is a fine seeding ground for talent, and it …
ALBUM REVIEW: Matt Costa – ‘Yellow Coat’: an affair of a decade made song
TO BREATHE a little life into an old cliche, I bet my bottom dollar you’d find Matt Costa in the kitchen at parties. He’s that kinda guy. (And this is, of course, totally a compliment). He’s supremely interesting and interested, you can tell; would charm a small and randomly corkscrew-searching bunch of just-mets with wit …
NEWS: Super Cool Drawing Machine: with no gigs, musicians are touring art instead
NO GIGS. No. Gigs. Now imagine pulling a random aside in the corridor at some New Year’s party at say, ooh, 1.34am, as the beer can fortresses advance across every available surface, as a minor tiff erupts by the record deck, and slurring into this stranger’s ear: “Y’know, thissh year, there wont really be gigs. …
ALBUM REVIEW: Susanna – ‘Baudelaire & Piano’: recasting the poet in solo dusk
TWO things to note from the off about the Norwegian chanteuse fatale born Susanna Karolina Wallumrød: firstly, she is both a deep appreciator and fashioner of the arts – no throwaway, careerist pop remixes her, no dalliance with song for song’s sake. Music, and art more broadly, is far too important business for frippery; life …