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Music

21434 posts
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Track: MF Tomlinson – ‘A Long Day’: London psych-folkster brings the flute-filled wonder to a tale of early mornings

  • March 22, 2021
  • Chris Sawle
MICHAEL TOMLINSON is the main man in the sorta-solo project MF Tomlinson, in which he plys a very neat line in indie folk/roots songcraft with a grainy bearhug of a voice.…
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News: Stephen Malkmus’ cover of Can’s ‘Ege Bamyasi’ released online

  • March 22, 2021
  • James Kilkenny
CAN’S psychedelic-krautrock classic Ege Bamyasi – the record which seismically shifted the current and future musical landscape many times over, and which further cemented the band’s status in the Krautrock…
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Album review: El Michels Affair -‘Yeti Season’: Big Crown kingpin proves he’s a 10th dan at soundtrack funk magic

  • March 22, 2021
  • Chris Sawle
Yeti Season? Pretty stunning. Leon is a soundtrack music 10th dan; an absolute master of the craft. Slip Yeti Season onto the decks, you have the most diverse, exciting, retro-soundtrack waiting there for you; there maybe no one better at this kind of the thing in the world right now. One moment R.D. Burman with Piya his Lata Mangeshkar, another Lalo Schifrin, another Piero Piccioni; all are here, ten short films in themselves, these tracks, scenes from a film so ace you have to make it. In your head. Pick yourself up Adult Themes, grab a giant bucket of popcorn, make it a double bill. Absurdly brilliant. Buy.
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Album review: Renee Reed – ‘Renee Reed’: an excellent, ethereal debut from Louisiana folk chanteuse

  • March 22, 2021
  • Chris Sawle
Renée Reed's debut is spun from very clever finery; a flow of tracks, folky and so American and yet so European, psychedelic in the way Devendra is, spectral in the way Marissa Nadler so is; Espers, but less mushroomy. Renée: she's such a talent. I'm not sure if I want to wake from this particular spell.
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News: Travis to reissue their debut album Good Feeling on vinyl

  • March 21, 2021
  • Craig Young
Due for release 2nd April Travis’ 1997 debut album ‘Good Feeling’ is to be reissued on vinyl in its original format for the first time, with classic sleeve and original packaging replication. Available…
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See: A live video for French post-rockers BRUIT ≤’s ‘The Machine Is Burning’: the fire and the fury in the Église du Gésu

  • March 21, 2021
  • Chris Sawle
BLENDING the longform, addictive unfolding blueprints of postrock with a more pastoral chamber quartet aesthetic and thus very much bringing to mind the lately little-visited territories established by the gorgeous…
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Track: KYL!E’s debut single ‘Sorry’ makes a flamboyant claim for future electropop stardom.

  • March 21, 2021
  • Staff Writers
Singer-songwriter KYL!E released her debut single, “Sorry” on February 22nd, 2021. The track, produced by RYNS, is a synth-driven electropop anthem of uncertainty and acrimony. Detailing the cracks of a…
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Meet: Cathal Coughlan, ahead of his new solo album ‘Songs Of Co-Aklan’

  • March 21, 2021
  • Jim F
Cathal Coughlan’s music permeates my record collection. I remember my first discovery – his early band Microdisney’s ‘Singers Hampstead Home’, (on glorious 12”) on one of those teenage record shop…
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Album review: Conrad Schnitzler – ‘Paracon: The Paragon Session Outtakes 1978-1979’ – more solid-state wizardry from the Kluster genius’s archives

  • March 21, 2021
  • Chris Sawle
Outtakes these nominally may be, but a decade on these tracks would have all seen a parallel life in the 12" and the like; a format which was only just starting to find its viability Stateside at this point in the Seventies. And remember not just that these ten tracks are culled from a year or more's intense creative fire, but that those sessions gave birth to three albums. It's an album for intense post-dusk savouring, soundscapes to fall sideways down the rabbit hole into, deep and otherworldly sonic immersion from one of the greatest electronic music brains.
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News: Marisa Anderson and William Tyler announce an album together for Thrill Jockey; hear the title track, ‘Lost Futures’

  • March 21, 2021
  • Chris Sawle
TAKE two of the best instrumental guitarists currently working in instrumental Americana, Marisa Anderson and William Tyler; put them together in a studo; press record. It’s a simple idea, but…
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