Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Music
  • Track / Video

Track: KYL!E’s debut single ‘Sorry’ makes a flamboyant claim for future electropop stardom.

  • March 21, 2021
  • Staff Writers
Total
7
Shares
0
0
7

Singer-songwriter KYL!E released her debut single, “Sorry” on February 22nd, 2021. The track, produced by RYNS, is a synth-driven electropop anthem of uncertainty and acrimony. Detailing the cracks of a relationship nearing its end, KYL!E gives listeners a relatable view into the self-doubt that manifests during the process. The instrumental reflects the nuance of her lyricism, with fractured, twinkly synthesizers accompanying the line “I can see the glass as it cracks beneath us.” Her vocal timbre is wholly unique, darkly resonant and flamboyant in her delivery while interspersed with moments of vulnerable crooning. Another entry into the confusing “escape room” genre, the production is defined by a harsh and ear-wormy synth lead. KYL!E showcases deft craftsmanship in the structure and dynamics of her songwriting as well, writing equally catchy hooks that groups of young people can easily scream out their car windows on a Friday night.  

Listening to the track, one can hear passing influences of Ariana Grande and Charli XCX, all wrapped up in a Lady Gaga glam aesthetic. But KYL!E does not engage in mimicry on “Sorry,” as her sound is not defined by similarities but by how striking it feels to first hear her. There is room to grow for the young artist: her vocals could be more supported and present in the mix, and her lyrics, while poetic, skew more towards ambiguity and lack the raw power that would work so effectively within her aesthetic. Despite these shortcomings, KYL!E’s debut is an impressive one, and it will hopefully serve as a portent of future stardom.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
7
Shares
Share 0
Tweet 0
Pin it 7
Related Topics
  • Kyl!e
  • pop
  • pop tracks
Staff Writers

Previous Article
  • Interview
  • Music

Meet: Cathal Coughlan, ahead of his new solo album ‘Songs Of Co-Aklan’

  • March 21, 2021
  • Jim F
View Post
Next Article
  • Music
  • Track / Video

See: A live video for French post-rockers BRUIT ≤’s ‘The Machine Is Burning’: the fire and the fury in the Église du Gésu

  • March 21, 2021
  • Chris Sawle
View Post
You May Also Like
View Post
  • Music
  • News

Rock N Roll Circus arrives in Sheffield — still tickets for The Kooks and Richard Ashcroft

  • Jim F
  • August 11, 2026
Good Things Festival 2026
View Post
  • Backseat Downunder
  • Music
  • Music Festival
  • News

News: Good Things Festival unveils another massive lineup for 2026

  • Deb Pelser
  • August 11, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Hana Stretton – ‘tiarn’: An ambient folk moment that needs to be cherished.

  • John Parry
  • August 10, 2026
View Post
  • Gallery
  • Live Review
  • Music

Live Review: Loyle Carner – Kirkstall Abbey. 01.08.26

  • Huw Williams
  • August 10, 2026
Nadia Reid
View Post
  • Backseat Downunder
  • Music
  • News

News: Nadia Reid returns to Australia for Sydney, Melbourne, Adelaide and regional shows

  • Deb Pelser
  • August 10, 2026
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Massive Attack Share Unflinching Warnings to Thousands – Afterpay Arena, Eora Land/Sydney 09.08.26

  • Jess Hutton
  • August 10, 2026
Benjamin Clementine
View Post
  • Backseat Downunder
  • Music
  • News

News: Mercury Prize winner Benjamin Clementine is finally coming to Australia

  • Deb Pelser
  • August 10, 2026
Patrick Watson
View Post
  • Backseat Downunder
  • Music
  • News

News: Patrick Watson returns to Australia after more than 10 years away

  • Deb Pelser
  • August 10, 2026
Talib Kweli
View Post
  • Backseat Downunder
  • Music
  • News

News: Talib Kweli announces Australian headline tour for November 2026

  • Deb Pelser
  • August 10, 2026
Clementine Douglas
View Post
  • Backseat Downunder
  • Music
  • News

News: Clementine Douglas announces first-ever Australian headline tour

  • Deb Pelser
  • August 10, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Massive Attack Share Unflinching Warnings to Thousands - Afterpay Arena, Eora Land/Sydney 09.08.26
    Live Gallery: Massive Attack Share Unflinching Warnings to Thousands - Afterpay Arena, Eora Land/Sydney 09.08.26
  • News: Good Things Festival unveils another massive lineup for 2026
    News: Good Things Festival unveils another massive lineup for 2026
  • Live Gallery: Gang of Youths Come Home For Their Sydney Opera House Debut 8.08.2026
    Live Gallery: Gang of Youths Come Home For Their Sydney Opera House Debut 8.08.2026
  • LFF Review: Ava
    LFF Review: Ava
  • Live Review + Photo Galleries:  The Living End at The Odeon Theatre, Hobart 07/08/2026
    Live Review + Photo Galleries: The Living End at The Odeon Theatre, Hobart 07/08/2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d