Music
See: Wunderhorse – ‘Poppy’: Dead Pretties’ Jacob soars into widescreen guitar drama
WITH one breezy and effortlessly ace single under his belt, the bass lyricism and indiepop jangle of “Teal”, former Dead Pretties man Jacob Slater is out to prove his champion solo career as Wunderhorse is no one-trick pony with another lovely single drop, “Poppy”. Take a dive herein. Jacob’s done a fair bit of living …
Tracks: Gizelle Smith – ‘Agony Road’ and ‘Riot Cars’: The mighty Mighty Mocambos talent double drops to wrap up the year
WE’VE has occasion to get our collective groove on many a time here at BSM thanks to the soul and the soar of Gizelle Smith, who has one of those voices that us mere shower-singing mortals can only be dazzled by. Don’t try this at home, folks; failure doesn’t look good. This past year she’s …
Premiere: Richard Orofino Shares The Lead Single ‘Scratch Off’ Taken From His EP Chimaera
Brooklyn based singer-songwriter Richard Orofino is a decorated artist and producer who has collaborated with a diverse group of artists in NY, LA, Nashville and London including Evan Voytas (UPSAHL, Loyal Lobos), Isaac Flynn (Hembree) and John Carroll-Kirby (Solange, Connan Mockasin). After discovering the art of production in 2013, he has been able to fuse …
See: The amazing short film about child refugees accompanying Hania Rani & Dobrawa Czocher’s autumnal duet, ‘Malasana’
INNER SYMPHONIES is the album that lifelong friends composer, pianist and singer Hania Rani and composer and cellist Dobrawa Czocher released in October for classical music imprint without parallel Deutsche Grammophon. Recorded together in their native Poland, this collaboration follows 2015’s Biala Flaga, but is their first album of original work; Hania and Dobrawa are …
Track: As Oldham’s TikTok sensation Seb Lowe releases his debut mini-album, delight in the rollicking Pennine lyricism of ‘iPhone’
WITH something like a hundred thousand-plus followers over on shortform video app TikTok, bard of the Oldham streets Seb Lowe is working from the ground up with a fascinating and absolutely necessary line in acerbic socio-political commentary on the state we’re in, AD 2021 – and one in which he leaves us less tech-compliant old …