Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • FIlm Review

Film Review: Sophie Jones

  • February 25, 2021
  • Rob Aldam
Total
4
Shares
0
0
4

Coming-of-age/teen movies come in all shapes and sizes, but one of the major stumbling blocks filmmakers often run up against is authenticity. It doesn’t help that so many productions fill their cast with twenty-somethings playing characters often ten years their junior. Hollywood, in particular, often falls foul of this trap and prioritises style over substance. However, films like Eighth Grade demonstrate that it can be done well with the right combination of director, lead actor and writer. Sophie Jones possesses this perfect formula.

Following the sudden death of her mother, Sophie (Jessica Barr) is still in shock and struggling to come to terms with her grief whilst at the same time dealing with the myriad challenges faced by every sixteen-year-old. She has a good relationship with her father (Dave Roberts) and sister (Charlotte Jackson), but it’s not a subject they discuss together. In order to try and feel something again, she embarks on a dangerous course.

The key to the success of Sophie Jones is the relatability of Sophie’s character. Co-written and produced by director Jessie Barr with her cousin and lead, both of whom lost their mother at the age of sixteen, it just feels right. There’s a vibrancy and uncertainty within this tale. One which is both exciting and raw. It’s awkward at times and uncomfortable in its own skin, which helps make Sophie Jones such unusually thoughtful, hopeful and empathetic filmmaking.   

Sophie Jones opens in select US theatres, digital platforms and VoD on 2 March.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
4
Shares
Share 0
Tweet 0
Pin it 4
Related Topics
  • Jessica Barr
  • Jessie Barr
  • Oscilloscope Laboratories
  • Sophie Jones
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Music
  • News
  • Track / Video

News: Enter Shikari announce charity t-shirt collab with St Albans FC, alongside lockdown video

  • February 25, 2021
  • Staff Writers
View Post
Next Article
  • Music
  • Track / Video

See: Francis Lung releases new visuals for the classic songwriting of new single, ‘Bad Hair Day’

  • February 25, 2021
  • Jim F
View Post
You May Also Like
Oasis
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: First Look At Oasis’ Reunion Film Don’t Look Back In Anger

  • Deb Pelser
  • July 5, 2026
Tamra Davis
View Post
  • Backseat Downunder
  • Film
  • Film Festival
  • FIlm Review
  • Music
  • News

Film Review: ‘The Best Summer’ is a bittersweet time capsule of alternative music’s golden age

  • Deb Pelser
  • June 8, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • News: Dijon Announces Australian Headline Debut at Sydney Opera House
    News: Dijon Announces Australian Headline Debut at Sydney Opera House
  • Live Review: Bloodstock Open Air Festival - Saturday 08.08.2026
    Live Review: Bloodstock Open Air Festival - Saturday 08.08.2026
  • Track: Rex Orange County Reunites With Daniel Caesar on ‘Indecision’
    Track: Rex Orange County Reunites With Daniel Caesar on ‘Indecision’
  • News: Fcukers Announce Australian Headline Shows for December 2026
    News: Fcukers Announce Australian Headline Shows for December 2026
  • Album Review: Phoebe Bridgers Faces Love, Loss and Finality on ‘Lost Weekend’
    Album Review: Phoebe Bridgers Faces Love, Loss and Finality on ‘Lost Weekend’
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d