Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • DVD/Blu-Ray Review
  • Film
  • FIlm Review

Film Review: The Man Who Killed Hitler and Then Bigfoot

  • April 11, 2019
  • Rob Aldam
Total
0
Shares
0
0
0

Sam Elliott has one of the most recognisable faces and voices in Hollywood. During a career which has so far spanned six decades, he has played a variety of memorable roles in films and on TV. Impressive performances in Lifeguard, Tombstone, Conagher and Buffalo Girls garnered him recognition but like a fine wine he’s only improved with age. Now, at 74, he’s doing some of his best work, culminating with an Academy Award nomination for his role in A Star is Born. He is equally impressive in The Man Who Killed Hitler and Then Bigfoot.

Calvin Barr (Elliott) is a retired decorated war veteran. Unbeknownst to the world, in his youth (Aidan Turner) he assassinated Adolf Hitler during World War II. His heroism came at a cost though; being separated from the love of his life Maxine (Caitlin FitzGerald). With Bigfoot on the loose spreading a deadly virus, the Royal Canadian Mounted Police and the FBI come knocking at the elderly Calvin’s door. He’s the only man for the job.

The Man Who Killed Hitler and Then Bigfoot harks back to another age, telling a shaggy dog story around an all-American hero. Both Elliott and Turner are superb but it’s the former who really embodies Calvin’s sense of suffering and loss. It’s hard not to like Robert D. Krzykowski’s feature debut. It’s such a good humoured and warmly nostalgic film. The Man Who Killed Hitler and Then Bigfoot is a wonderful drama featuring a cinematic legend.

Extras:

• Making-Of Documentary (40mins)
• Director’s Feature Commentary
• Deleted Scenes (9mins)
• Composer Interview
• Original Conceptual Designs
• Elsie Hooper [short film]

The Man Who Killed Hitler and Then Bigfoot is released on Digital on 15 April and on DVD and Blu-ray by Sparky Pictures on 6 May.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Aidan Turner
  • Caitlin FitzGerald
  • Robert D. Krzykowski
  • Sam Elliott
  • The Man Who Killed Hitler and Then Bigfoot
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Film
  • Film Preview

Incoming: Yuli – The Carlos Acosta Story

  • April 10, 2019
  • Rob Aldam
View Post
Next Article
  • DVD/Blu-Ray Review
  • Film
  • FIlm Review

DVD Review: The Accountant of Auschwitz

  • April 11, 2019
  • Rob Aldam
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Sparks Bring Their Singular Universe To Vivid LIVE In Sydney 25.05.2026
    Live Gallery: Sparks Bring Their Singular Universe To Vivid LIVE In Sydney 25.05.2026
  • News: The Sisters of Mercy announce Australian  tour
    News: The Sisters of Mercy announce Australian tour
  • News: Gorillaz unveil ambitious animated short film as ‘The Mountain’ launches new era
    News: Gorillaz unveil ambitious animated short film as ‘The Mountain’ launches new era
  • Live Gallery: Earl Sweatshirt And MIKE Make Their Sydney Opera House Debuts At Vivid LIVE 24.05.2026
    Live Gallery: Earl Sweatshirt And MIKE Make Their Sydney Opera House Debuts At Vivid LIVE 24.05.2026
  • Album Review: Looking For People To Unfollow Finds Ecca Vandal Refusing Every Genre Boundary
    Album Review: Looking For People To Unfollow Finds Ecca Vandal Refusing Every Genre Boundary
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d