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Live Review: Dark Mofo Festival – Cold Cave provide an injection of heat into the Winter Festival, The Odeon Theatre, Hobart 7 June 2025

  • June 7, 2025
  • Arun Kendall
Feature Photograph: Arun Kendall
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Cold Cave’s performance at Hobart’s Odeon Theatre on 7 June 2025, created an incandescent ray of light in the deepest darkest winter at the southern capital at the very edge of the world. The darkwave pioneers were part of Dark Mofo’s Australian-exclusive lineup, the band delivered a set that was both haunting and exhilarating.

The venue, steeped in history and atmospheric lighting, provided the perfect backdrop for Wesley Eisold and his ensemble. Opening with ‘She Reins Down’ the audience was immediately enveloped in a cascade of shimmering synths and pulsating rhythms – the band’s mix of euro-disco motorik beats and melodic goth darkness was transcendent. The track’s infectious energy set the tone for the evening, drawing the crowd into Cold Cave’s sonic world.

Eisold’s commanding presence on stage, coupled with his evocative vocal delivery, resonated deeply with the audience. He cut an enigmatic figure, warm and interactive in contrast to the icy, pulsing tendrils of sound – apologising for taking to so long to visit Hobart and expressing gratitude to Dark Mofo for the opportunity. Many in the audience were clearly long term enthusiastic fans – travelling from all over Australia just for the opportunity of seeing this iconic ensemble.

Ryan McMahon’s drumming was phenomenal: capturing an electronic motorik disco beat with precision but with the added warmth of the analog sound. Amy Lee – to whom Eisold credited for making the bands what is was – was a still, seated enigma in a cape and sunglasses, adding the delicate melodies, while the synth bass and guitars provided the thunderous foundations.

The interplay between light and shadow on stage mirrored the band’s exploration of contrasting emotions within their music.

‘Blackberries’ introduced a more introspective mood, its lush instrumentation creating a dreamlike atmosphere. The audience were enraptured, lost in the ethereal soundscape that Cold Cave so masterfully crafted.

The setlist also featured ‘A Little Death To Last’ and ‘Computer World USA’ both of which showcased the band’s ability to blend electronic textures with post-punk sensibilities. ‘Psalm 23’ had a remorseless thrum with its bubbling arpeggiated thunder. Each track was a testament to Cold Cave’s evolution and their commitment to pushing the boundaries of the darkwave genre. The final track before the encore, ‘Everlasting’, was thrilling and dynamic.

Throughout the performance, the band’s synergy was palpable. The seamless transitions between songs, coupled with the dynamic lighting design, created an immersive experience that captivated the audience from start to finish.

As the final notes of ‘Promised Land’ echoed through the Odeon Theatre, it was clear why Cold Cave have maintained an essential role the darkwave movement. Their performance at Dark Mofo 2025 was a thrill not only for fans and but for those hearing the band fo the first time: it was a testament to their enduring artistry and their ability to connect with audiences on a profound level.

It was interesting to hear the comparisons from exiting audience members – from Depeche Mode to New Order, from Dead Or Alive to The Cure. Irrespective of what there was in the genetic code, it was a tour de force and yet another testament to the organisers of Dark Mofo who consistently thrill with their program.

For those fortunate enough to witness this performance, it was a very special night, a vivid reminder of the power of music to transcend the ordinary and touch the soul. And warm the corpuscles on a wintry night.

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Arun Kendall

Writer/ Senior Editor for Backseat Mafia (UK) and Backseat Downunder (Australia and New Zealand). Singer/guitarist/songwriter with Australian band The Hadron Colliders.

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