Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Music
  • News

News: Travis announces tour and performances of The Man Who live

  • March 7, 2018
  • Arun Kendall
Total
0
Shares
0
0
0

It’s hard to believe it’s been nearly twenty years since the release of the album ‘The Man Who’ by Travis. Released in the midst of the Brit Pop phenomena and perhaps somewhat overshadowed by the Oasis/Blur dichotomy, the showy brilliance of Pulp and the emerging audience-pleasing rise of Coldplay, it cannot be doubted that ‘The Man Who’ was a pop masterpiece filled with brilliantly-crafted, delicate pop songs. There were a plethora of well-crafted singles off this classic that even nineteen years later sound just as fresh and memorable – unforgettable melodies and choruses that soar. Think of songs like ‘Writing To Reach You’, ‘Driftwood’, ‘Turn’ and ‘Why Does It Always Rain On Me’: all melancholic masterpieces.

Produced by Nigel Godrich, ‘The Man Who’ spent 11 weeks at Number 1, selling nearly 3 million copies. It was the biggest selling UK album in 2000, propelled by an incendiary Glastonbury performance. Recognition quickly followed including Ivor Novello Awards for ‘Best Songwriter’ & ‘Best Contemporary Song’ for ‘Why Does It Always Rain On Me?’ and BRIT Awards for ‘Best British Band’ and ‘Best British Album’.

Singer Fran Healy said “Songs are like emotional bookmarks in time. When you hear a song you are transported to those times and feel strong echoes of the feelings you felt. Rarely does an album have this ability so performing ‘The Man Who’ once again will be a joy!”. It will indeed be something to witness this album performed live after so many years.

The band will perform a handful of special venues over the course of the year including London’s Royal Festival Hall (12th June) and Glasgow The SSE Hydro (21st Dec), with tickets on sale now:

June
10th – Liverpool, Philharmonic
12th – London, Royal Festival Hall
14th – Folkestone, Leas Cliff Hall
19th – Plymouth, Pavillion
20th – Brighton, Dome
21st – Ipswich, Regent Theatre
25th – Birmingham, Symphony Hall
26th – Oxford, New Theatre
December
12th – Portsmouth, Guildhall
13th – Cambridge, Corn Exchange
15th – Newcastle, City Hall
17th – Nottingham, Royal Concert Hall
18th – Hull, City Hall
19th – Manchester, Apollo
21st – Glasgow, The SSE Hydro

Travis are singer/guitarist Fran Healy, bassist Dougie Payne, guitarist Andy Dunlop and drummer Neil Primrose

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Brit-Pop
  • Scotland
  • The Man Who
  • Travis
Arun Kendall

Writer/ Senior Editor for Backseat Mafia (UK) and Backseat Downunder (Australia and New Zealand). Singer/guitarist/songwriter with Australian band The Hadron Colliders.

Previous Article
  • Track / Video

Track: La Bête Blooms – Take Arms

  • March 7, 2018
  • Arun Kendall
View Post
Next Article
  • Film
  • FIlm Review

Film Review: Sweet Country

  • March 8, 2018
  • Rob Aldam
View Post
You May Also Like
Hiatus Kaiyote
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Hiatus Kaiyote Bring The Sydney Opera House To Its Feet 12.07.2026

  • Deb Pelser
  • July 12, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Zipper tune into another hypnotic triumph with ‘Ear’.

  • Arun Kendall
  • July 11, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Watching the Waves, Watching Ourselves – Tamara & the Dream releases the reflective ‘Beautiful Woman on the Coast in Portugal’

  • Arun Kendall
  • July 11, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Dominic Breen questions the stories that built a nation with the compelling ‘Just Another Day in the Colony’

  • Arun Kendall
  • July 11, 2026
View Post
  • Music
  • News
  • Track / Video

Track: Japan’s The Psychedelic Mars release the ethereal track ‘Rusteneration’ – finding beauty in imperfection

  • Arun Kendall
  • July 11, 2026
View Post
  • Music

Album Review: The legendary Crow ‘Hold Sway’ – a brilliant and elegant return that resonates long after the final note

  • Arun Kendall
  • July 11, 2026
Deafheaven
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Deafheaven’s Powerful Melbourne Performance 9.07.2026

  • Staff Writers
  • July 10, 2026
Cradle of Filth
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Cradle Of Filth And DevilDriver Deliver A Night Of Extreme Metal At Sydney’s Enmore Theatre 10.07.2026

  • Deb Pelser
  • July 10, 2026
View Post
  • News

News: DREAMPROPHET Returns With New Single ‘The Wanderer’

  • Simon Lucas-Hughes
  • July 10, 2026
View Post
  • News

News: Trevor Phelps Announce New Album Small Town, Shares ‘Home Now’

  • Simon Lucas-Hughes
  • July 10, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Hiatus Kaiyote Bring The Sydney Opera House To Its Feet 12.07.2026
    Live Gallery: Hiatus Kaiyote Bring The Sydney Opera House To Its Feet 12.07.2026
  • Album Review: The legendary Crow 'Hold Sway' - a brilliant and elegant return that resonates long after the final note
    Album Review: The legendary Crow 'Hold Sway' - a brilliant and elegant return that resonates long after the final note
  • Live Gallery: Cradle Of Filth And DevilDriver Deliver A Night Of Extreme Metal At Sydney's Enmore Theatre 10.07.2026
    Live Gallery: Cradle Of Filth And DevilDriver Deliver A Night Of Extreme Metal At Sydney's Enmore Theatre 10.07.2026
  • Meet: 10 Questions With ... Delilah Bon
    Meet: 10 Questions With ... Delilah Bon
  • News: From Acclaimed TV Dramas to Intimate Songwriting: Neon Pilgrim Unveils Debut Album Invisible Things
    News: From Acclaimed TV Dramas to Intimate Songwriting: Neon Pilgrim Unveils Debut Album Invisible Things
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d