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SEE: Davey Woodward & The Winter Orphans – ‘Bad Day’ cornering a brilliantly thrashy alt.pop nugget

  • February 3, 2021
  • Chris Sawle
Davey Woodward & The Winter Orphans (Davey, centre), photographed by Jon Kent
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FORMER Brilliant Corners singer Davey Woodward is fashioning rather lovely, lo-fi, alt.folk indiepop these days, along with The Winter Orphans – a quintet rescued from the chill winds atop Spaniorum Hill to help him in his lifelong pursuit of low-slung, perfectly drawled, South West pop.

They’ve just dropped the video for “Bad Day” – plenty of those about at the moment, you don’t need reminding – the opening track from their most recent album, Love And Optimism. Please be finding this lovely thrashpop nugget to peruse down at the end.

Although often leaning to a more acoustic melodious thing these days, there’s still plenty of that fire that brought us “My Baby In Black” crikey – that long ago now? And a bad day calls for drainpipes and slingin’ the guitar low.

“Nobody visits. I’d like someone to stay / In my single bed with my microwave /I’m having a bad day,” Davey intones, that way he’s always had with a vocal line present and correct as a lead guitar winds about thrashy chords with a little of Tom Verlaine in its skirl. Top banana single, gents.

“Imagine a time when putting together the best cassette compilation ever (Today it’s called a playlist) was the sole purpose of the day,” sayeth Davey.

“Getting it right would mean the difference between a good day or bad day.

“It was also the best way to impress girls and show your mates how hip you were. A time when dreaming, looking cool and disregarding the rules was everything.

“Decades later and life catches up, poverty, broken relationships, broken families. You could make a playlist; but who would you send it to?”

“Bad Day” follows the lamenting midnight atmospheres of “Warm Hands” and the lovely chamber folk of “Occupy This Space” into presenting a pretty irrevocable case as to why any C86 kid and/or lover of intelligent pop should be making a beeline for Love & Optimism – an album recorded in the wholly different world of summer 2019. There’s a prescience to the album; the song “Clara’s Ghost” is partly about Bristol’s involvement in the slave trade – and of course, just a few months later, the statue of Edward Colston was toppled into the harbour.

Davey Woodward & The Winter Orphans’ Love and Optimism is available now digitally and on CD, trad black vinyl and limited edition white vinyl; get yourself over to Bandcamp for a copy.

Keep up with Davey Woodward on Bandcamp, Facebook, YouTube, Apple Music and Spotify.

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  • alt.folk
  • Brilliant Corners
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  • Davey Woodward & The Winter Orphans
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Chris Sawle

Sometime scribe and inveterate crate-digger, adoring all things C86, psych, soundtrack, breakbeat, electronica and post-rock from the toe of West Cornwall.

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