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album review

600 posts
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Album Review: ‘Dave Graney & Clare Moore in a mistLY’ reverberates with a delightful, playful sense of a drunken fin de siecle wake.

  • November 13, 2022
  • Arun Kendall
There is a clattering, chaotic stately grace about the songs created by the legendary duo Dave Graney and Clare Moore: born in a rock’n’roll cradle of unadorned guitars and pattering…
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Premiere: We get early access to the brilliant Verticoli’s thunderous new album ‘The Echo’, ahead of Australian tour news.

  • November 7, 2022
  • Arun Kendall
nipaluna/Hobart’s post punk powerhouse Verticoli have provided Backseat Mafia with an exclusive listen to their new album, ‘The Echo’, and it is a gorgeous, cathartic cataclysm of sound and fury.…
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Album Review: Troubadour extraordinaire Jo Meares releases the atmospheric classic ‘Dream Hotel’ and announces launch date.

  • November 7, 2022
  • Arun Kendall
Over the last year, Sydney troubadour extraordinaire Jo Meares has been releasing the most mesmerising and dynamic series of singles with producer Anth Dymke: each one a sparkling enigmatic jewel,…
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Album Review: Tanya-Lee Davies is in ‘Dreamland’: a wonderful realm of slow burning vignettes that simmer with a melodic intensity.

  • October 27, 2022
  • Arun Kendall
The music of Melbourne’s Tanya-Lee Davies has a sixties beehive velvet blush about it – a sort of Dusty Springfield/Nancy Sinatra slow waltz to something powered by Burt Bacharach or…
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Album Review: The magnificent Key Out make a triumphant return with ‘afterville’- a glorious, delicate and ethereal set of sparkling jewels.

  • October 15, 2022
  • Arun Kendall
Key Out for me are one of the unsung heroes of the indie music scene in Australia and indeed the world. Newly signed to the magnificent False Peak Records, they…
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Premiere: The Double Happiness take a refreshing stop at the ‘Roadhouse’: a wild west refuge filled with reverb, poignancy and epic widescreen poetry, and announce album launch date.

  • September 13, 2022
  • Arun Kendall
We have long admired the inherent joie de vivre and creativity of Brisbane’s The Double Happiness and are overjoyed to be able to bring you an exclusive early listen to…
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Album Review: Terra Pines throw a glittering veil of sludge pop over us with the engaging aural attack of ‘Downbeats’.

  • September 10, 2022
  • Arun Kendall
The self-described sludge pop of the music of Meanjin/Brisbane trio Terra Pines is an apt capture of the sweet dichotomy between the fuzzy barbed-wire instruments of the band and the…
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Album Review: The forecast is far from ‘Partly Cloudy’ for FLOWERTRUCK’s irrepressible and sparkling second album.

  • September 2, 2022
  • Arun Kendall
We’ve long been fans of Sydney/Illawarra band FLOWERTRUCK who have perfected an antipodean-flavoured brand of indie pop that has a genetic link to an amalgam of The Go-Betweens and The Apartments on…
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Album Review: Prudence’s ‘Negatives’ takes us into the heart of darkness – an ominous, brooding collection of treasures that glitters in the void.

  • August 27, 2022
  • Arun Kendall
With psychedelic-inflected vocals, nuanced and louche, the ghostly apparition that is Tom Crandles’s musical project Prudence has just released ‘Negatives’. It is a gothic-flavoured collection that reflects the period of…
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Album Review: Cousin Tony’s Brand New Firebird unveil the glorious and majestic ‘Smiles of Earth’, out through Double Drummer, on the eve of a national tour.

  • August 25, 2022
  • Arun Kendall
‘Smiles of Earth’ is quite simply a glorious album and, for me, immediately takes its place as one of my contenders for album of the year. The new album from…
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