Album: David Gray – Skellig
Folk troubadour Gray is on to his twelfth studio album titled ‘Skellig’. Which takes its name from a formation of precipitous rocky islands off the coast of Co. Kerry where…
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Album: Wilding introduces his impressive catalogue with ‘Hello…My Name is Wilding’ – a glorious compilation of his past, present and future music.
Melbournian troubadour Wilding blew us away last year with his concept album ‘The Death Of Foley’s Mall’ – one of the best Antipodean releases of 2020 in my humble opinion…
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Album review: Alfredito Linares – ‘Vol. 2: The Colombia Years’: packs a punch
NOW HERE’S a tidy little gem from those ever-reliable sound curators Rocafort Records, a second sparkling collection of treasures from the early 70s’ boogaloo explosion courtesy of the sharp-suited composer,…
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Album review: TEKE::TEKE – ‘Shirushi’: a deliciously wonky, delectably trippy psych debut
RULE one: Japanese bands do brilliant, brilliant things with guitars: this is just fact. From the mind-blowing chaos of Melt-Banana to the heavy psych stylings of Acid Mothers Temple and…
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Album Review: Merk’s ‘Infinite Youth’ is an exquisite exploration of the end of childhood innocence and the transience of life
New Zealand artist Merk is the moniker of Auckland, New Zealand artist, multi-instrumentalist and producer Mark Perkins, who began his career as a touring member of Tom Lark and Fazerdaze.…
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EP: Bodom After Midnight – Paint The Sky With Blood
What should have been the beginning for the band has become their only work and a homage to the late singer/guitarist Alexi Laiho. ‘Paint The Sky With Blood’ sees Bodom…
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Album Review: The Coral release ‘Coral Island’ – a thrilling magical masterpiece that is a testimony to boundless imagination and the joy of creativity
To describe The Coral‘s new album ‘Coral Island’ as an magnum opus is almost too reductive. This double album is an awe-inspiring journey into childhood memories – the magic of…
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Album review: UNKNOWN ME – ‘BISHINTAI’: a delightful, candy-coloured ambient trip
BISHINTAI is a delightful album, candy-colour bright, beamed from some offworld where fantastic cuboid furniture and hanging egg chairs are the norm; it will add a little brain-clearing wasabi to the most humdrum and dun day. If you've ever swooned for the Sushi 3003 and 4004 compilations; for Air at their most "Sexy Boy" cosmic and and most especially definitely, the bright retro-futurism of The Gentle People - then boy, is this album ever for you
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Album review: Matt Robertson – ‘Enveleau’: analogue grandeur, ambience and acid
If old-skool British acid and ambient techno floats your boat, and let's face it, it's such a halcyon era for the genre, mostly never bettered; get yourself Enveleau. Maybe only the redoubtable Mr Hopkin is operating with this deliciousness in the field
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Album Review : Adam Moezinia’s ‘ Folk Element Trio’ – A Sonic Travelogue
New York based guitarist Adam Moezinia first debut album ,’Folk Element Trio’ is what we at Backseat Mafia have suspected it would be , after premiering its single ‘Celebration’ last month…
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