album reviews
Album review: DJINN’s ‘Transmission’ commands an increasingly colourful palette
Transmission perfectly commands an increasingly colourful palette, an enriching conduit to what could be termed DJINN’s equally chasmic sound
ALBUM REVIEW: The Telescopes – ‘Songs Of Love And Revolution’: sexy, sleazy psych set
No Fender Jazzmasters or Vox Teardrops were likely harmed during the course of this record, but many are reported to have emerged bruised, sweat-slicked and smiling. Dirty, sexy and necessary
Album Review: Black Country, New Road- For the first Time
FURNISHING a burgeoning buzz from just two singles – albeit uniquely abrasive, jazz/noise flecked singles- and a feverish clamour for their live shows, Cambridge’s Black Country, New Road quickly set themselves apart from both their contemporaries. The band were also praised as “the best band in the world” by The Quietus. Again, within just two …
ALBUM REVIEW: Richard von der Schulenberg – ‘Moods And Dances’: a fun, exotique library music trip
Moods And Dances is the sort of album you cheekily slip onto the deck at a very groovy soiree at about, ooh, midnight, to bring some bizarre and spacey dimensions to proceedings and during which at least two of your friends turn to you and say with a bewildered grin: “Wow, what is this?”
ALBUM REVIEW: Tamar Aphek – ‘All Bets Are Off’: superb opening salvo from Tel Aviv power trio
Tamar Aphek takes the power trio thing and moves it forward into new psych-blues-rock territories with elegance and so much fire. She also might just be the best new noisy guitar stylist since Joey Santiago and John Dwyer. She’s potent and has a voice of real elegance, and sonic firepower, and tunes, and the future is very, very bloody bright indeed
ALBUM REVIEW: Miley Cyrus – ‘Plastic Hearts’
Plastic Hearts took me on a rollercoaster ride that really caught me off-guard, says Chloe Ross
Album Review: The Psychotic Monks – ‘Private Meaning First’
Private Meaning First is an unrelenting album, befitting the current claustrophobia; one to melt and shriek your woes away to
ALBUM REVIEW: Andy Cooper – ‘L.I.S.T.E.N.’: Ugly Duckling lyrical scientist in flight
Possibly best enjoyed on tape on a decent ghetto blaster wearing elegant shades, let the old-skool embrace you
ALBUM REVIEW: Sing Leaf – ‘Not Earth’: wide-eyed psych-indie-electro bliss
NAIVETY. It’s one of those words whose power has been denuded by an overuse of a certain conjugation of it. Much like ‘awesome’, the non sequitur of teens across the English-speaking world, naivety has come to mean fey, unwise, easily led. Sing Leaf, the recording pen-name of Toronto’s David Como, is naive in all the …
ALBUM REVIEW: King of the Slums – ‘Encrypted Contemporary Narratives’: the life we live now as we may not wish to see it
MANCHESTER: that great north-west city with, in the words of an idol very much on an unfortunate downward curve these days, so much to answer for. It’s given us some of the most amazing acts and subcultures of the popular music age. But I’ll advance a theory here, if I may; there’s very much two …