Posts in tag

Avant-garde


Album review: Adam Stafford – ‘Trophic Asynchrony’: Falkirk composer moves to a deep, cyclical set of formal minimalism to address the ecological state we’re in

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Album review: Masayoshi Fujita – ‘Bird Ambience’: a marimba and electronica masterclass for meditative thought

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Album review: UNKNOWN ME – ‘BISHINTAI’: a delightful, candy-coloured ambient trip

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WE LOCKED the door; we waited. We waited, we combed the airwaves; we counted the days some more. The experience is nigh on universal, save those of you lucky enough to be reading in Taiwan, Christchurch, Auckland and elsewhere. Italy was caught by the pandemic earlier than many, and as it swept across the country, …

BORN in Rakvere, a small town in the very north of Estonia, a handful of miles from the Baltic Sea, the experimental musician Maarja Nuut was first introduced to music by her mother, a choir conductor, which opened up a world which would become her métier. Aged 7 she began taking violin lessons, studying at the Tallinn …

THE REMIX album is a really interesting thing, a gathering of the tribes in a meeting place that’s arisen from the sphere of dance music, in which like minds bring their aesthetics and splice it with another’s; a trading, the one overlaying, informing the other, creating a new offspring. When it comes off in the …

HERE at Backseat Mafia, we’ve loved the brittle, pretty guitar experimenta of New York’s Rachika Nayar for a good while; check our write-ups for a brace of single drops from her album for NNA Tapes at the beginning of the year, the otherworldly fire of “Losing Too Is Still Ours” and the potency of “The …

THOMAS KLEIN, otherwise drummer for the fine post- and krautrock rhythmic venturers Kriedler, also has a natty occasional sideline as Sølyst, wearing which hat he strides out with an album every year or three; August’s Spring will be his fourth album in eleven years, and collates together recordings he’s made over the past three. Not …

WITH a months-long concept of dropping one single track every month on the pilgrimage towards their 2022 album, Swiss post-rock trio HOLM have followed up the cinematic and metronomic wash of May’s “Our Days And Years” with a second station of the cross for you to sonically supplicate before, “Flickering Leaves”, which we’ve got right …

FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the free-associating “Erotic Thistle” and its fantastic line, “melt down my death mask to fashion it into a dildo” (read our full review here) – has returned …

THEIR first meeting may have been entirely inauspicious – the one enquiring of the other whether in fact he was, indeed, a French drug dealer – but once that initial barrier was overcome, the twin, surging talents of acid folk scion Devendra Banhart and minimalist composer and producer Noah Georgeson became firm friends; collaborators. And …

ARANDEL, the French artist whose album of expansions and reinterpretations – often, complete genre reshapings – of the works of the great Johann Sebastian, InBach, received deserved acclaim upon its release early last year, is looking to repeat that cultural success with a second volume released today. With that album out to purchase right now, …

WITH the recent news that Hamburg’s excellent imprint Bureau B is marking the half-century of Faust with a box set entitled Faust 1971-1974 in October (and already available to order – for details see below, as this isn’t the sort of thing you’d want to delay on), the label has this very morning released a video for …