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Posts by tag

experimental albums

31 posts
  • Album Reviews
  • Music

Album review: Spiritczualic Enhancement Center – ‘Carpet Album’: filmic, psychedelic and enveloping – travel deep, travel wisely

  • October 25, 2021
  • Chris Sawle
IT’S ONE of those sentences you hear periodically when chewing the fat about the music: “Ooh no, though, I really don’t like jazz”. Which, each to their own, live and…
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Album Review: Sarah Davachi – ‘Antiphonals’

  • September 22, 2021
  • John Parry
Sarah Davachi is a composer and performer who, like fellow keyboardists Ana Roxanne or Anna Von Hausswollf, relentlessly navigates the tidal intersections between electronic and drone music. As an artist…
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Album review: Cahill/Costello – ‘Offworld’: contemplative dubspace, ambient and post-rock shimmer that steps gloriously out of time

  • September 5, 2021
  • Chris Sawle
KEVIN DANIEL CAHILL and Graham Costello, guitarist and drummer respectively, first set off on the path that would lead to them wedding as a musical act with an oblique and…
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Album review: Bruno Bavota – ‘For Apartments: Songs And Loops’: protection against those days of lockdown in warm piano vignette and glorious modular sweep

  • August 22, 2021
  • Chris Sawle
WE LOCKED the door; we waited. We waited, we combed the airwaves; we counted the days some more. The experience is nigh on universal, save those of you lucky enough…
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Album review: Maarja Nuut – ‘Hinged’: percussive and playful, free as a bird future folktronica from Estonian genius

  • August 15, 2021
  • Chris Sawle
BORN in Rakvere, a small town in the very north of Estonia, a handful of miles from the Baltic Sea, the experimental musician Maarja Nuut was first introduced to music by her…
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EP review: Ian William Craig/Kago – ‘FatCat Split Series 24’: one final valedictory 12″ calls time on a superb experimental series

  • July 11, 2021
  • Chris Sawle
I DON’T know about you, with the vinyl revival – I mean, really, it’s a re-arrival now, isn’t it, here again for the foreseeable – that maybe the 12″ is…
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Album review: Adam Stafford – ‘Trophic Asynchrony’: Falkirk composer moves to a deep, cyclical set of formal minimalism to address the ecological state we’re in

  • July 4, 2021
  • Chris Sawle
FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the…
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Album review: Lightman Jarvis Ecstatic Band – ‘Banned’: a fever dream of impressionistic acid-folk-soul for the jaded ear

  • June 21, 2021
  • Chris Sawle
BY THEIR name, they sound like they should be some great lost Moog-psych outfit from ’69, and weird and wonderful is definitely a touchstone for the Lightman Jarvis Ecstatic Band,…
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Album review: Kevin Richard Martin – ‘Return To Solaris’: The Bug is the ghost in the machine for this ecstatically eerie rescoring of the Soviet sci-fi classic

  • June 20, 2021
  • Chris Sawle
WORKING with huge acclaim in the shadowier textures of electronic music now for longer than we care to recall, Kevin Richard Martin – aka The Bug, King Midas Sound, Techno…
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Album review: Peace Flag Ensemble – ‘Noteland’: intelligent, warm and melodic jazz improv from Canadian collective

  • June 13, 2021
  • Chris Sawle
LADIES and gentlemen of the more recherché musical persuasion: introducing a new act to especially intrigue the weird jazzers among you, Peace Flag Ensemble, an experimental collective drawn from various…
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