experimental track Archives - Page 6 of 10

Track: Ishmael Ensemble debut ‘Wax Werk’ ahead of expansive new album ‘Visions of Light’.

Bristol experimental jazz collective Ishmael Ensemble debut their expansive new album Visions of Light. The follow-up to their critically acclaimed 2019 debut A State of Flow, garnered the band much deserve praise from the likes…

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JJJJJerome Ellis signs to NNA Tapes and shares the infinite music of ‘Fountain #3’

Composer, translator, poet, and performer, JJJJJerome Ellis has signed for Brooklyn’s curating imprint of the beautifully leftfield, NNA Tapes (a label which is also home to other artists we’ve delighted…

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News: Kevin Richard Martin of The Bug returns with a June rescoring of Tarkovsky’s ‘Solaris’; hear a taster, ‘In Love With A Ghost’

WORKING with huge acclaim in the shadowier textures of electronic music now for longer than we care to recall, Kevin Richard Martin – aka The Bug, King Midas Sound, Techno…

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Track: Masayoshi Fujita – ‘Bird Ambience’: the deft, spacious wonder of the marimba glimmers with delight

THE WONDERFUL Japanese vibraphonist, multi-percussionist and composer Masayoshi Fujita is all set to release a new album for Erased Tapes on May 28th which, if you like your experimental music powerfully…

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See: The layered monochrome stylings of MICROCORPS’ ‘UVU’: a dark electronic language for a dark age

MICROCORPS, the new project of Alex Tucker, lurches us forward into a near-future dystopia part-flesh, part-microprocessor, and achieves eerie beauty; as you can hear below with the second track to…

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Track: Tomas Nordmark feat. Waterbaby – ‘Ghosts’: eerie, amniotic, ink-black choral electronica preludes his May album

LIVING these days in London, but hailing originally from the small Swedish coastal town of Västervik, some 280km further down the coast from Stockholm, Tomas Nordmark is a electronica producer…

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Track: Sabiwa – ‘鬼 / The Demon’: deeply expansive rescoring for the Japanese animation from Geist im Kino’s second ‘Imaginal Soundtracking’

IMAGINAL SOUNDTRACKING is one of those excellent conceptual series whereby a label creates a scheme for artists to work within, often lead to surprising and enveloping results. This particular schemata…

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Album review: Christine Ott – ‘Time To Die’: French composer returns to Gizeh for a modern compositional masterclass

Without a doubt one of the most potent voices in modern composition today, Christine Ott is as happy to push right out into dark, even industrial-infused experimenta as she is to play a straight bat with absolute confidence in the deeper classical tradition and the wider avant-garde palette; she can do it all, if she chooses, and when she breathes the ondes Martenot into life; there really is no one to touch her

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Track: Hear Jim Stewart’s ‘Dead Sea’: the composer responds to a Paul Nash painting, taken from the forthcoming ‘Stills 01’ music and painting project

STILLS 01 is the first, beguiling three-track release from new imprint String and Tins Recordings that looks to marry the disciplines of music and fine art, insomuch as each piece…

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Track: Birthday Ass – ‘Plubbage Bubbage’: flicking the Vs at punk and jazz and making them dance with abandon

PRIYA CARLBERG, singer and wayward guiding light behind the fun as hell and wonderfully weird punk-funk concoction of Birthday Ass, won’t be drawn on the meaning of the title of…

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