Posts in tag

experimental


Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: Cluster – ‘Cluster 71’: the German electronica scene on the cusp of breaking through, lovingly reissued

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Album review: Jim Wallis & Nick Goss – ‘Pool’: immersive, ocean-going, pastoral ambience

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RIVAL CONSOLES are on the home straight towards the release of a new dance-collaborative album, Overflow, in the first days of December, and as you’d expect it’s pristine and beautiful while also springing from the well of the leftfield. He’s truly great, one of my top three electronica artists of the moment, along with HAAi, …

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GAZELLE TWIN and NYX, the artist and choir who have been working with a deep, dark vision of the country this year to fully deserved acclaim, awe, trepidation and immersion, are welcoming the coming of All Hallows’ Eve, the day the dead are remembered and, in folklore, the day when the veil between our world …

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Tokyo born Composer and electronic artist Shuta Hasunuma has returned with the first glimpse of his new album, a soundtrack for the drama series Kirei No Kuni. We’re delighted to be able to premiere the first glimpse of the album in the shape of a track, Collapse, right here today on Backseat Mafia. The album …

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WAY BACK in January we took a dive into Ainu Moisir – our full review can be found, here – a deft, brief quarter-hour of exploratory cello and electronica meshing and also a first entry into the world of the soundtrack for Clarice Jensen, the artistic director of the American Contemporary Music Ensemble. The titular …

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IT’S ONE of those sentences you hear periodically when chewing the fat about the music: “Ooh no, though, I really don’t like jazz”. Which, each to their own, live and let live, vive la difference without question; but, which, you imagine may be based on some particularly untethered, free-associating inversion of the style, say, Coltrane’s …

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The album ‘At Least A Hundred Fingers’ by duo Twofish is an epic, cinematic musical journey that ebbs and flows with intensity and dynamism. Difficult to slot into any genre, it has the vibrancy of Dead Can Dance with an infusion of world instrumentation – many synthetic, some organic – and a syncopated thrum throughout …

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SONIC CATHEDRAL: it may not be the most prolific of labels in terms of releases – but never mind the width; feel the quality. Just take a look back, wouldya, over the past year and a bit of releases: an excellent, excellent new generation of the ‘gaze debut from East Yorkshire’s vowel-free but guitar thrill-replete …

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As part of our irregular series on the important and often silent figures behind the music scenes – the record labels, promoters and managers – we are today having a chat with venerable Brisbane figure Remy Boccalatte of the shining star that is False Peak Records. We here at Backseat Mafia have covered many bands …

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Also part of Human Beat and Seriously, the Alabama-based Chayse Porter has put in further work as a solo artist. He’s performed with a live band, which used to be an entirely separate thing from his solo work, but not anymore – the band name has duly been lifted for the title of his next …

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Drott is comprised of Arve Isdal (Enslaved), Ivar Thormodsæter (Ulver) and Matias Monsen and hails from Bergen in the west coast of Norway. With their varied musical background ranging from metal and jazz to classical music, the band have created their own genre which can only be described as Drott. Inspired by forces of nature, …

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