Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • News

News: GILSKA Unwraps A Hyperpop Holiday Gift With Daring Rework Of ‘Santa Baby’

  • December 8, 2025
  • Simon Lucas-Hughes
Total
0
Shares
0
0
0

Sri Lankan–British singer, songwriter and vocalist GILSKA closes out her breakthrough year with a bold new release: a gleaming, high-voltage rework of the Christmas classic ‘Santa Baby’. Injecting the familiar festive tune with distorted synths, heavy percussion and hyperpop gloss, the rising artist transforms the standard into something sleek, loud and unmistakably her own.

The release caps an acclaimed run of singles throughout 2025, a year that saw Gilska solidify her status as one to watch. With national radio support and mounting praise across major publications, she’s emerged as one of the UK’s most intriguing new voices—equally comfortable in tender cinematic moments as she is in explosive electronic soundscapes.

On her new version of ‘Santa Baby’, Gilska draws inspiration from hyperpop innovators like Two Hollis, Charli XCX, PinkPantheress and Kim Petras. The result is a whirlwind of pixelated textures and glitch-cut vocal chops, fluttering between sweetness and chaos in a way that feels freshly futuristic.

“I wanted to take something classic and turn it completely on its head,” Gilska explains. “Santa Baby is iconic, but I felt it could shine in a new, chaotic, hyperpop world – full of distorted synths, glitchy vocals, and energy that makes it feel alive in 2025.”

Gilska’s fearlessness in experimentation stems from a diverse musical upbringing. From early classical training to club-influenced productions that nod to her Sri Lankan heritage, she has cultivated a genre-blurring sound grounded in both personal history and modern innovation. Her work carries echoes of her grandfather, a renowned Sri Lankan pop singer, whose legacy she channels through her emotional depth and melodic instincts.

With her hyperpop Santa Baby reimagining, Gilska arrives at the end of 2025 not just celebrating the season, but showcasing the scope of her boundary-pushing artistry. It’s festive, fearless and unmistakably Gilska – her latest step toward pop’s future.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Gilska
  • Santa Baby
Simon Lucas-Hughes

Previous Article
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Meanjin/Brisbane’s Ancient Channels unveil new single ‘Chimera’ ahead of new album and appearance at showcase label gig organised by False Peak Records.

  • December 8, 2025
  • Arun Kendall
View Post
Next Article
  • Live Review
  • Music

Live Review: Electric Six / Enjoyable Listens — Leeds O2 Academy, 1.12.2025

  • December 8, 2025
  • Jim F
View Post
You May Also Like
View Post
  • News

Courteeners to headline Rock N Roll Circus 2027 in Sheffield

  • Huw Williams
  • November 2, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.

  • Arun Kendall
  • November 1, 2026
Beth Orgon
View Post
  • Backseat Downunder
  • Music
  • News

News: Beth Orton announces Australian tour for March 2027

  • Deb Pelser
  • November 1, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Naarm/Melbourne’s USER send out a dark transmission from a world coming undone on fourth album ‘EXTINCTION’

  • Arun Kendall
  • November 1, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere
  • Track / Video

Premiere: Nipaluna/Hobart’s Nice House want to get away as they take us on a fish-eye’s view of new single, Holiday

  • Andrew Fuller
  • November 1, 2026
The Church
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Sunday service gets a psychedelic makeover as The Church go orchestral 01.11.2026

  • Deb Pelser
  • November 1, 2026
BICEP
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Sydney gets lost in the music as BICEP return to the Hordern 31.10.2026

  • Deb Pelser
  • October 31, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Kali Malone – ‘Burning Song’: Gracefully guiding drone and minimalism to new emotional depths.

  • John Parry
  • October 31, 2026
Green Lung
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Green Lung summon the spirit of Shelley in new Ozymandias video

  • Deb Pelser
  • October 30, 2026
RinRin
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: RinRin isn’t dreaming of a white Christmas on cheeky new single

  • Deb Pelser
  • October 30, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
  • Live Gallery: Sunday service gets a psychedelic makeover as The Church go orchestral 01.11.2026
    Live Gallery: Sunday service gets a psychedelic makeover as The Church go orchestral 01.11.2026
  • Album Review: Naarm/Melbourne’s USER send out a dark transmission from a world coming undone on fourth album ‘EXTINCTION’
    Album Review: Naarm/Melbourne’s USER send out a dark transmission from a world coming undone on fourth album ‘EXTINCTION’
  • Premiere: Nipaluna/Hobart's Nice House want to get away as they take us on a fish-eye's view of new single, Holiday
    Premiere: Nipaluna/Hobart's Nice House want to get away as they take us on a fish-eye's view of new single, Holiday
  • Live Gallery:  TISM are back, and the Enmore Theatre will never be the same 30.10.2026
    Live Gallery: TISM are back, and the Enmore Theatre will never be the same 30.10.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d