Posts in tag

experimental


Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: Cluster – ‘Cluster 71’: the German electronica scene on the cusp of breaking through, lovingly reissued

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Album review: Jim Wallis & Nick Goss – ‘Pool’: immersive, ocean-going, pastoral ambience

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THE ABSURD and surreal is a strand of music that brings much joy and not a little brain-tickling to your humble correspondent here; and while there’s a grand old tradition of the point where hallucinatory songwriting meets music, there aren’t too many working in the field right now. We’ve had, and adored, the Hibernian surreality …

NAOKO SAKATA is a supremely free, expressive, elemental pianist, very much cheerful and thriving in the avant-garde end of the modern piano spectrum. Born in Japan, she’s now based in Gothenburg; whence she’s come to the attention of Anna von Hausswolff who, caught by her experimental incantation, is to release Sakata’s album on her own …

FIELD WORKS is less a band, more a collective exploration of the various musics that cross over and find each other out on the edges of their respective stylistic disciplines, fuse, enter the wider sphere of the ambient. It’s all helmed by Indianapolis producer Stuart Hyatt, who began the series – the forthcoming album is the …

KNOWN primarily for contributing a particularly jagged and jittery way with a riff to the work of Montréalais dance-punk outfit VICTIME, Simon Provencher is spreading his wings and revealing a more post-classical, intricate side to his musical aesthetic with a debut solo EP, Mesures, due out on Michel Records on March 26th; from which he’s …

Taken from his new album ‘McGoldrick’, out February 26th via Infrequent Seams, ‘Ing Right I’, is the new song from Colin Cannon, and we’re delighted to be able to premiere it on Backseat Mafia today. As with the previous track from the album Cannon released, Get Up, it travels through Jazz, fusion, post-rock, electronica to …

Dale Berning’s The Horse Stories is humble, in the very best way; it delights in the tiny and the everyday with a surreal wonder. It has eagle-eyed focus; it’s absolutely beautiful. It’s often as close as music can get to absolute quietude while still retaining a sense of melody and spatial wizardry. If you loved the Clicks + Cuts series of compilations, Ryoji Ikeda, Colleen or Jan Jelinek; The Boats, Alva.Noto, any of these artists who travel deep into the magical, miniaturised web of pure sound, then this record is so, so top of your shopping list. Bravo, Flau, for making it available again.

A brand new deep space travelogue from the collective minds of DJ Food and Howlround from an Improvised live session at the Museum Of London in 2016. This album began life four years ago when the trio of Strictly Kev, Robin The Fog and Chris Weaver were tasked by Jonny Trunk with providing an all-night …

MICROCORPS is the new project from Kent artist and sound venturer Alex Tucker, better known to those of us who venture experimentally in our music by the fuller, more formal version of this name; as a member of Grumbling Fur, of Imbogodom, &c – and it’s a project which intends to explore electronics, cello and voice. …

MAKING history as the “first album created by a person while they were still inside the womb”, the creation of Luca Yupanqui’s music was aided by her parents – her mother the bassist of psych-rock band Psychic Ills, and her father a Lee Scratch Perry collaborator – using biosonic MIDI technology to translate the vibrations …

THE BROOKLYN-based ambient composer and audio-visual artist Rachika Nayar, who we’ve covered in these pages previously when we took a look at her previous single drop, “The Trembling Of Glass”, has shared a hazy, impressionistic video for new single “Losing Too Is Still Ours”, which features the poet YATTA; take a dive below. Along with …