Posts in tag

moog


COOPER CRAIN’S side-alley Moog buccaneers Bitchin Bajas are taking their their latest album, a re-exploration of the works of Sun Ra purely for synth and keyboard, out on the road in the new year. That album, Switched On Ra, their seventeenth, sees them apply the concepts of one avant-garde legend to that of another: Cooper …

Outtakes these nominally may be, but a decade on these tracks would have all seen a parallel life in the 12″ and the like; a format which was only just starting to find its viability Stateside at this point in the Seventies. And remember not just that these ten tracks are culled from a year or more’s intense creative fire, but that those sessions gave birth to three albums. It’s an album for intense post-dusk savouring, soundscapes to fall sideways down the rabbit hole into, deep and otherworldly sonic immersion from one of the greatest electronic music brains.

SIXTIES’ and Seventies’ electronica is a weird and eccentric world, seemingly populated by mad genii and creative mavericks with clipboards and lab coats, observing banks of machinery at sonic play. Actually that conception isn’t too far from the truth: Raymond Scott and his Manhattan Research, Inc. while using the new musical technology to place interlude …

YOU’VE never really heard Mort Garson, you say; heard the name, never quite caught up with any of his stuff; anyway, it’s rock hard to get hold of, isn’t it? Yeah, of course I’m into Stereolab, Broadcast, Plone; Belbury Poly, Add N To (X), you say. If it’s weird and Moogy and kinda space age …

THE WORLD of 60s’ and early 70s’ electronica was full of fascinating, creative mavericks: scientists, polymaths, creatives, all deeply fascinated by the weird things that were happening with the pure and random sound of circuitry. Foremost among them was the Canadian Mort Garson, who began his career with the fantastic space age astrological trippiness of …

Tangerine Dream founder’s 1978 LP of synthy motorik receives its first UK issue: spacious, eerie and polyrhythmic by turns