post-rock
Track: Typical Sisters splice Tortoise’s rhythmic precision to the trippy deep-space glow of Stones Throw on ‘Grains’
WITH their new album, Love Beam, out in just under three weeks – and following our premiere of their last single, the brightly rhythmic and curious “Recurring Memory” last month – read that here – Typical Sisters are mixing it up with hallucinatory abandon on their final preluding single, “Grains”, which you can hear below. …
News: Tangents continue to explore beyond jazz and go double or quits with new album ‘Timeslips & Chimeras’; hear the propulsive electronica fusion of ‘Lilliputian’
WITH their last album release, last year’s Timeslips, finding itself somewhat hobbled by – c’mon, you know, it made us all stay in for months on end – the enigmatic Australian quartet Tangents have decided to go double or quits and are set to rerelease that most recent set in tandem with a new set …
See: The spectacular, cellular-level abstractions accompanying the slow beauty of amiina’s ‘Beacon’
WITH music this beautiful, it’s so very good to see them back: the Icelandic quartet amiina, who’ve been away for half a decade, have returned to the fray with the musically beautiful and visually spectacular new single, “Beacon”, which you can watch herein. The song is taken from the forthcoming Pharology EP, which the band …
Premiere: Typical Sisters – ‘Recurring Memory’: a fraternal, jazzy post-rock groove teases for their third album
DESPITE being scattered across the globe, when the trio of musicians who comprise Typical Sisters get together, whether fraternally to catch up and spitball ideas, in the studio, or collaborating across the wires, they get a really intriguing jazzy post-rock thing going; crisply percussive, vamping with guitar, seeking and melodic, and still that important touch …
Album review: Yoo Doo Right – ‘Don’t Think You Can Escape Your Purpose’: fiendishly enthralling and focused
BEGINNING in 2016, Montréal’s Yoo Doo Right have strewn the experimental music world lavishly with fervent, heavenly jams: heavily akin to their eponymous krautrock forefathers, also stirring in a heady mix of influences and inspirations. The trio – Justin Cober (guitar, synthesizers, vocals), Charles Masson (bass), and John Talbot (drums, percussion) – made their debut …
See: Holm – ‘Our Days And Years’: Zurich post-rockers set out on a track-a-month journey to their new album
A CLICKY, metronomic bass is pillowed by distant sound wash and drone, tick-tocking with cinematic suspense; and a guitar twangs a mournful riff with grandeur. Chill synths add to the palette, as winds of sound holler and skitter past your hearing. Imagine Labradford at very blustery altitude, the parched placidity replaced by a need to …
See: A live video for French post-rockers BRUIT ≤’s ‘The Machine Is Burning’: the fire and the fury in the Église du Gésu
BLENDING the longform, addictive unfolding blueprints of postrock with a more pastoral chamber quartet aesthetic and thus very much bringing to mind the lately little-visited territories established by the gorgeous Rachel’s, BRUIT ≤ have released a video of them performing the title track of their forthcoming album, The Machine Is Burning, in the hallowed acoustics …
SEE: Toulouse post-rockers BRUIT ≤ announce April album; see the video for ‘Renaissance’
ITS MEMBERS having been through the major label wringer, Toulousain post-rock outfit BRUIT ≤ had no desire to make the same mistakes again; and its members decided to strip back to that initial spark: the creative act. The initial trio of bassist and violinist Clément Libes, drummer Damien Gouzou and guitarist Théophile Antolinos didn’t even …
Track: Ritual Cloak – ‘White Noise’: an elegy for a friend in cooltempo electronica
CARDIFF duo Ritual Cloak is the meeting of Daniel Barnett, formerly of Samoans, and drummer and producer Andrew Sanders, in which musical space between them they find some pretty beguiling, post-rock cinemascapes. They’ve followed up the massive, brooding soundscapes of their previous single, “Opaque Crater”, with a new drop, “White Noise”, which sees them push …
EP REVIEW: Årabrot – ‘The World Must Be Destroyed’ EP review; an album follows
A SURPRISE EP was released by the Norwegian band Årabrot, the duo of Kjetil Nernes and Karin Park, a few weeka ago, featuring a striking roster of guest musicians: Dana Schechter, of Insect Ark and Swans; Andrew Liles, (Current 93/Nurse With Wound) and tubaist Kristoffer Lo (Highasakite / Motorpsycho) among them. The gothic post-rock purveyors …