Posts in tag

remote control records


With a touch of Lou Reed in its insouciant laid-back dry observational style, the new single ‘Something’ from Ōtepoti/Dunedin four-piece Soaked Oats is a delicious track imbued with a laconic easy style and a huge dollop of panache. Of course, Dunedin has a storied history in producing the very best in indie fare, and clearly …

We here at Backseat Mafia have been long time fans of Melbourne-based chanteuse Gena Rose Bruce with her smoky, sultry voice and reverb-inflected laconic style that comes across as a melange of Mazzy Star and P.J. Harvey: a femme fatale with a steely spine cloaked in luscious velvet and a smoldering style. Her debut album …

Indie legends The National have just released a gorgeous new single ‘Weird Goodbyes’ through 4AD/Remote Control Records featuring the vocals of Bon Iver (Justin Vernon). With the stately grace that typify the band’s distinctive sound, “Weird Goodbyes’ is a delicate yearning track with Vernon’s contribution adding a different, softer texture and strings augmenting the ethereal …

We are honoured to be able to bring you the premiere of the single ‘Seaweed’ from Richard In Your Mind member Richard Cartwright, out through  Broken Stone Records/Remote Control Records. Just like a piece of seaweed drifting across endless oceans, ‘Seaweed’ is a floating delight: dreamy, hypnotic movements propel the track forward with dappled splashes …

There is a visceral discordancy and inherent chaos that threads throughout ‘Versions of Modern Performance’, the debut album from Chicago trio Horsegirl, (out through Matador Records/Remote Control Records). This anarchy is magically and stunningly resolved by the bitter sweet melodies and harmonies that cloak and bind the barbed-wire strands. The oft dissociated, disconnected vocals are …

Blue Mountains resident Lewis Goldmark has just unveiled his debut album ‘Cut and Flash’ via Broken Stone Records/Remote Control Records, and it is a ray of golden sunshine leavened with a sense of nostalgia and a bittersweet, sepia-tinged air. Lewis Goldmark is in fact Liam Judson from Belles Will Ring (and Magnetic Heads) and producer of many eminent bands, some …

Last year’s self-titled EP by the dream collaboration that is Mess Esque was a stunning release last year: we said it was an ethereal, gentle delight: yearning brittle and delicate vocals that glide over subtle but barely restrained instrumentation that adds a gold filigree to a barbed wire brush. It has the raw and visceral …

It’s exciting to see Interpol back in action with news of the release of their seventh LP ‘The Other Side of Make-Believe’, due out on 15 July through Matador / Remote Control. To ease the anticipation, Interpol have released a single and video for the opening track, ‘Toni’. The archetypal Interpol sound is at the …

Post punk new wave chill never sounded better than in the new release ‘The Warning Birds’ from Hobart band EWAH & The Vision of Paradise (EVoP). The much delayed album gestated over a period of disturbance in the ether. Emma Waters – EWAH – says of the development of the album: We’ve been sitting on …

There has been a very long build up to the release of EWAH and the Vision of Paradise‘s (EVoP) second album, ‘The Warning Birds’, delayed by births, deaths and of course the horrific pandemic. We have been buoyed, however, by a drip filter of brilliant singles from the band ever since the release of ‘Play …