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Track: Brighton’s Girl Apocrypha Makes Radiant Debut With ‘Dealer’

  • February 23, 2026
  • Simon Lucas-Hughes
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Brighton’s rising force Girl Apocrypha is set to introduce herself in uncompromising fashion with her debut single, ‘Dealer’.

Formerly the principal songwriter for Brighton outfit Faeser, she has already built a reputation on the South Coast’s live circuit, selling out hometown shows and sharing stages with Cassyette at Concorde 2and Dear Tash at The Social. Years spent handling guitar and bass in multiple Brighton grunge-leaning projects have sharpened her instincts; now, stepping out alone, she delivers something more theatrical and knowingly dramatic, where alt-rock textures collide with pop ambition.

Working with producer Jag Jago, whose credits include The Maccabees, Cassyette and Jamie T, ‘Dealer’ feels like a mission statement. It’s raw but deliberate, expansive yet intimate. Sonically, it nods to the brooding atmospheres of Interpol, Placebo and Nine Inch Nails, while carrying the art-pop bite of Lady Gaga, Grimes and The Dare. The result sits somewhere between shoegaze haze and grunge-pop punch — abrasive and polished, atmospheric and accessible in equal measure.

A jagged synth motif slices through the opening moments before washed-out, reverb-heavy guitars glide in beneath Emia’s distinctive vocal, suspended somewhere between spoken confession and melodic release. When the chorus lands, distortion blooms and the energy surges forward, underpinning lyrics that balance stark self-examination with flashes of wry detachment. It’s confrontational yet alluring, fusing shadow and sheen into a tightly wound three-minute statement.

Speaking about the track, the Emia explains: “Dealer describes the out-of-body experience you have when you’re suddenly able to see all your reckless, destructive behaviours from an outsider’s perspective, leaving you entirely disillusioned. It’s really a diss track about myself. It was written at a very low point, when I felt that everyone I cared about was getting sick of me, and I was like ‘You know what? I’m sick of myself.’ Sometimes you can find yourself at a crossroads where you have to choose between getting better or sinking deeper down, and I like to think of Dealer as that final patch of darkness right before you find the will to swim to the surface.”

Listen below:

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