Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music
  • News

Album Review: Cole Pulice – ‘Land’s End Eternal’ : An electro-acoustic touchstone moment from the ambient saxophonist and composer.

  • May 15, 2025
  • John Parry
Total
0
Shares
0
0
0

Saxophonist/composer Cole Pulice often draws on metaphors to describe their alluring electro-acoustic music. For the 2021 solo debut ‘Gloam’ they suggested the music mirrored shifting patterns of a twisting kaleidoscope whereas the follow up ‘Scry’ was closer to gazing at a stained-glass crystal ball from different angles. You wonder what poetic phrases Pulice might be considering for ‘Land’s End Eternal’, their third offering out now via LA’s Leaving Records? The shimmering, amorphous vista that this new work reveals feels in many ways more expansive and less reflective than Pulice’s previous offerings. ‘Land’s End Eternal’ opens out onto a vast plain of music, something you gaze upon, wonder with and see beyond.

Pulice eases us into the experience gently with Fragments of a Slipstream Dream, a piece which suspends saxophone calls in the wafting breeze of a looping drone. There’s a folksy simplicity here, an unhurried way of being. The monotone background chords are harmonium toned while the opening cry of the sax, part Uilleann pipes, part shehnai sounding, hovers with a shrill beauty. Pulice is casting both a magical earthiness and eastern mystery here before the drone suddenly crumbles, clearing space for elegiac, Stetson-esque flourishes. Echoing and extending Fragments’ sublime tenderness, In This & Every Life introduces chiming guitar zen to the lusciously crooned sax-lines. Something deeply emotional wells up within this tune. It’s not sombre or downcast but captures a moment where sadness intersects with hope, while gentle tumbling piano sooth Pulice’s breathy reed whispers.

By introducing the guitar to their sonic palette for the first time on record, Pulice is bringing a fresh perspective and more tonal vibrancy to their soundscape. The saxophone may remain their central voice but the guitaring adds both a melodic tease and dynamic freedom throughout these pieces. Such effusive progression elevates the album’s core composition, the epic three-part sweep of In A Nook Between Hidden Worlds. Inspired by the atmospheric geography of Land’s End National Park, North West San Francisco, the same Land’s End referenced in the album title, this trilogy of tunes celebrate the other-worldly aura of this rocky cliff-hung passageway.

In A Nook Between Hidden Worlds Part 1 thrums with a resonant peacefulness, the relaxed guitar twang and unforced sax song duetting on a melody that Pulice has been holding onto for some time. It’s uncluttered, clear and airy, a fresh-breeze pause looking out from the headland which dawns slowly amongst the fluttering lines, strums and harmonics. Part 2 drifts more mystically, an improvised lament where the sax voicings sigh longingly and the more free-form guitar chords, like Fred Frith at his most becalmed, resound with thoughtfulness. The final view from In A Nook Between Hidden Worlds finds the two instruments flowing more purposefully, their patterns arm in arm as if wandering home resolved. Once again the detailing is exquisite. The occasional, gentle swell of signal processed accordian sounds, the warmed jazz inflections of the guitar and the delicate curl of the sax notes, all contributing to the wonder of this piece.

In contrast ‘Land’s End Eternal‘ draws to a close with Pulice going more widescreen, panning out and extending possibilities to an orchestral scale with After The Rain. Fluttering guitar layers are the foundation, giving a Kim Myhr-like subtle momentum, while the sax melody has a stoic pride about it which echoes the bluesy reverence of Mehldau’s ‘Highway Rider’. To bring added humility guest vocalist, ambient-folk singer Maria BC mirrors the main theme with their unshowy, pure voice, softly urging the song towards its closing brass-bathed waves. It’s some finale, not overblown but effusive, elevating and authentically realised.

Following on from Peace Flag Ensemble’s stunning ‘Everything Is Possible’ album earlier this year, it feels like the electro-acoustic/ambient jazz intersection has found another enduring touchstone with ‘Land’s End Eternal’. Cole Pulice has always made intriguing, enlightening music with their solo releases but this album throbs with an outgoing vitality and vibrance. Its sense of place and natural warmth is waiting to be shared.

Get your copy of ‘Land’s End Eternal‘ by Cole Pulice from your local record store or direct from Leaving Records HERE



Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • ambient
  • ambient jazz
  • Cole Pulice
  • electro acoustic
  • fourth world
  • Leaving Records
John Parry

Lifelong listener and occasional commentator- further adventures can be found on instagram, tumblr and sound selection/mixtapes on: mixcloud.com/HouseAtTheFootOfTheMountain/

Previous Article
  • News

News: Wiebke Shines On Intimate And Beautiful Debut Album ‘Space In Between’

  • May 15, 2025
  • Simon Lucas-Hughes
View Post
Next Article
Pokeu LaFarge
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Review & Gallery: Pokey LaFarge turns Liberty Hall into a back-porch gospel jam 15.05.2025

  • May 15, 2025
  • Deb Pelser
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Music
  • News

News: Swervedriver Return To Australia To Perform Raise In Full

  • Deb Pelser
  • May 8, 2026
The Church
View Post
  • Backseat Downunder
  • Music
  • News

News: The Church Announce A Psychedelic Symphony With 30-Piece Orchestra

  • Deb Pelser
  • May 8, 2026
Kate Moth
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Too Late To Go Outside Continues kate moth’s Rise In Sydney’s Indie Underground

  • Deb Pelser
  • May 8, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Sydney Alt-Pop Artist Liliana de la Rosa Returns With Cinematic New Track

  • Deb Pelser
  • May 8, 2026
Okay Maidza
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza Dives Into Afrobeat And House On New Single Pressed

  • Deb Pelser
  • May 8, 2026
Angus and Julia Stone
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Angus & Julia Stone Announce New Album Karaoke Bar And Release Title Track

  • Deb Pelser
  • May 8, 2026
Grace Turbo
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere
  • Track / Video

Premiere: Grace Turbo Unpacks Emotional Fallout On New Single Bleed Again

  • Deb Pelser
  • May 7, 2026
Westlife
View Post
  • Backseat Downunder
  • Music
  • News

News: Westlife Announce First Australian And New Zealand Tour In Two Decades

  • Deb Pelser
  • May 7, 2026
View Post
  • News

News: Colorado’s Dirty Snowman Society Share New Single ‘Slow Water’

  • Simon Lucas-Hughes
  • May 7, 2026
Highschool
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: HighSchool Bring Their Acclaimed Debut Album To Sydney’s Lansdowne Hotel 07.05.2026

  • Deb Pelser
  • May 7, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
    Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
  • Track: Simon Robert Gibson emanates a ray of gentle sunshine in his new single 'Afterdark'
    Track: Simon Robert Gibson emanates a ray of gentle sunshine in his new single 'Afterdark'
  • Premiere: Lunar Twin announce new album 'Night Jaguar' and unveil lead single, the rich and enigmatic 'Disappear In The Earth'.
    Premiere: Lunar Twin announce new album 'Night Jaguar' and unveil lead single, the rich and enigmatic 'Disappear In The Earth'.
  • Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.
    Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.
  • News: Westlife Announce First Australian And New Zealand Tour In Two Decades
    News: Westlife Announce First Australian And New Zealand Tour In Two Decades
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d