Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music

Album review: Kasai Allstars – ‘Black Ants Always Fly Together, One Bangle Makes No Sound’: maybe more restrained, but still surprises

  • May 11, 2021
  • John Parry
Total
0
Shares
0
0
0

SOMETIMES a record comes along that disrupts your expectations.

Since their debut album in 2008, Kasai Allstars have been one of the cornerstones of Congotronics, that vibrant assemblage of polyrhythms and scrapyard instrumentation which bolted a whole new wing to the afrobeat star-liner. Buzz drums, wired-up thumb pianos, hubcap percussion and salvaged guitars mixed with more traditional African instrumentation, defined their sound. The songs were lengthy trance-like explorations, hypnotic in their repetition, electronically charged music without a synthesiser or sampler in sight.

So a first encounter with their new record, the quizzically titled Black Ants Always Fly Together, One Bangle Makes No Sound, with its promise of programmed beats and a more studio-realised outcome, could have required careful handling. But this is one change that can be embraced confidently by any listener new or returning to The Kasai Allstars cosmos.

Yes, the album, available on the ever-faithful Crammed Discs now, is less raw and raucous than the collective’s previous soundclashes but the rhythmic drive and energy is still there. What’s lost in spontaneous intensity is replaced with a new focus on a song’s potential to move you in other ways.

Opening track “Kasai Munene” confidently flaunts these new parameters, with its bright, lilting chord sequence and nimble, hissing electronic beats, but it retains some Kasai Allstars’ staples. The knowing repetition and zig-zagging cross-rhythms are there at the base, solid and dependable, maintaining a real connection with their past. Fittingly sung by four of the collective’s stalwarts, Muambuyi, Mi Amor, Kabongo, and Tandjolo, the different voices also bring bantering variety and a harmonic team spirit to the album’s introduction.

That togetherness is a theme that has underpinned the group since its formation, emerging as it did from the confluence of five different bands from distinct Congolese regions. It’s aired once again here through the album title (Black Ants Always Fly Together, One Bangle Makes No Sound – think about it …) and in several of the new record’s tracks.

“Unity is Strength”, despite its rumbling rhythmic drive, steps away from the Kasai template but survives the slightly fluffy synth twinkles with fluid MC work. “Olooh, A War Dance For Peace” hits harder, building an evocative chant around the blend of booming hand drums, electronic beats and jangling guitar resonance. The song features a new vocal contributor, the pure-toned Bijou, and an added hint of autotune for complimentary zip.

Elsewhere guitarist, songwriter and producer Mopero Mupemba paces the record carefully by maintaining a balance between shiny afropop numbers and tracks that feature Kasai Allstars’ instrumentation at the head of the mix. In the pop corner you’ll find the swishing “Baba Bende” sparkling with highlife energy and “Betrayal by Gossip”, which bundles up Latin, eastern and electro into a melodic gift of a song. “Like a Dry Leaf On a Tree” brings a cooler tempo with its slow, spinning balladry, choral support and chiming Eighties synth scales, but thankfully manages to steer clear of schmaltz with its authenticity and heart.

For those seeking something a little closer to the Kasai Allstars’ signature, Black Ants… is a record that still delivers. “Musungu Elongo Paints His Face White To Scare Small Children” fittingly breaks out from a playful disco rhumba to a rootsy face-off of muscular fuzzed guitar lines. The band also shift through the gears on “Hunters and Farmers Need the Blacksmith”, taking a tuneful folky starter and winding it into an full on juke joint skip. But maybe it’s on hyperspeed “The Large Bird, the Woman and the Baby” or the album’s final track that the band skirt closest to their trademark groove. Shaped around rootsy vocal exchanges and a refreshing bubbling beat, “The Goat’s Voice’” has a charm and warmth born of Kasai Allstars’ enduring low-fi ethic.

So, Black Ants Always Fly Together, One Bangle Makes No Sound may in some ways be more restrained and coherent than the band’s previous releases, but it still retains that element of surprise and unpredictability that make Kasai Allstars so intriguing.

It’s a record that keeps you in touch with the collective’s significant musical heritage but which leaves you wanting to join them on any future excavations.

Kasai Allstars’ Black Ants Always Fly Together, One Bangle Makes No Sound is available now digitally, on CD and on vinyl from Crammed Discs and may be ordered over at Bandcamp.







Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • afrobeat
  • Crammed Discs
  • Kasai Allstars
  • World music
  • world music albums
John Parry

Lifelong listener and occasional commentator- further adventures can be found on instagram, tumblr and sound selection/mixtapes on: mixcloud.com/HouseAtTheFootOfTheMountain/

Previous Article
  • Music
  • Track / Video

Track: Solidarity Not Silence – This Is Sisterhood ft. Kathleen Hanna, The Tuts, Petrol Girls

  • May 11, 2021
  • Craig Young
View Post
Next Article
  • Album Reviews
  • Music

Say Psych: Album Review: Veik – Surrounding Structures

  • May 11, 2021
  • Le Crowley
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Zipper tune into another hypnotic triumph with ‘Ear’.

  • Arun Kendall
  • July 11, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Watching the Waves, Watching Ourselves – Tamara & the Dream releases the reflective ‘Beautiful Woman on the Coast in Portugal’

  • Arun Kendall
  • July 11, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Dominic Breen questions the stories that built a nation with the compelling ‘Just Another Day in the Colony’

  • Arun Kendall
  • July 11, 2026
View Post
  • Music
  • News
  • Track / Video

Track: Japan’s The Psychedelic Mars release the ethereal track ‘Rusteneration’ – finding beauty in imperfection

  • Arun Kendall
  • July 11, 2026
View Post
  • Music

Album Review: The legendary Crow ‘Hold Sway’ – a brilliant and elegant return that resonates long after the final note

  • Arun Kendall
  • July 11, 2026
Deafheaven
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Deafheaven’s Powerful Melbourne Performance 9.07.2026

  • Staff Writers
  • July 10, 2026
Cradle of Filth
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Cradle Of Filth And DevilDriver Deliver A Night Of Extreme Metal At Sydney’s Enmore Theatre 10.07.2026

  • Deb Pelser
  • July 10, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Akusmi – ‘Terra Incognita’: A lush sonic expedition into exotic rhythms and sultry sax melodies.

  • John Parry
  • July 10, 2026
Fishwife
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Fishwife Return With Dreamlike New Single ‘Surviving The End Of The World’

  • Deb Pelser
  • July 10, 2026
Louella
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Sunshine Coast Artist Louella Shares Debut Single ‘Before I Go’

  • Deb Pelser
  • July 10, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Cradle Of Filth And DevilDriver Deliver A Night Of Extreme Metal At Sydney's Enmore Theatre 10.07.2026
    Live Gallery: Cradle Of Filth And DevilDriver Deliver A Night Of Extreme Metal At Sydney's Enmore Theatre 10.07.2026
  • Album Review: The legendary Crow 'Hold Sway' - a brilliant and elegant return that resonates long after the final note
    Album Review: The legendary Crow 'Hold Sway' - a brilliant and elegant return that resonates long after the final note
  • Track: Japan's The Psychedelic Mars release the ethereal track 'Rusteneration' -  finding beauty in imperfection
    Track: Japan's The Psychedelic Mars release the ethereal track 'Rusteneration' - finding beauty in imperfection
  • Meet: 10 Questions With ... Delilah Bon
    Meet: 10 Questions With ... Delilah Bon
  • Live Gallery: Deafheaven's Powerful Melbourne Performance 9.07.2026
    Live Gallery: Deafheaven's Powerful Melbourne Performance 9.07.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d