Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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RICHMOND, Virginia producer and multi-instrumentalist DJ Harrison is set to release his first full set for Stones Throw in four years, with Tales From The Old Dominion due in the first week of December; and with a first taster, the low-slung out-there funk rumble of “Be Better” landing right now, it looks set to be …

ZACH CONDON’s gorgeous Beirut are set to release an overview of their early years next spring – a project whch has burgeoned from a collection of early EPs into a full-on, 26-track set. The collection, Artifacts, began to grow in ambition as Zach went digging through the archives. He picks up the thread: “When the …

QUITE literally roaring out of the blocks with guitar shimmer and a satisfyingly British take on that Black Francis sccreeeeeaaam, Southampton’s Mystic Peach are making shapes for next month’s debut EP, M? for Hampshire’s buzzin’ promoters Honeymooner with “It’s Not Their Future”; backflip in below. It comes armed with spooky visuals just in time for …

ALBERT’S FAVOURITES is a label bringing the sounds of the South London scene to the world with heart; genuine heart, and care, and soul, in all iterations of that word. One only need look at the label’s name, and the tribute it pays. I’ve written about this before but it is worth reprising, since it …

WITH their collaborative long player just a week away now, Bristol dub-punk collective The Pop Group and bass overlord Dennis Bovell MBE have dropped one final taster of Y In Dub, the rerub of The Pop Group’s era-defining 1979 debut Y. Drill down bone deep below with the retake on “3:38”, the flip of The …

AUTUMN has well and truly bitten; any Indian summer which we may have had is now truly receding in the rear-view mirror; drizzle has become the lingua franca. Time to bust out the daylight lamps, grab the vitamin D anywhere we can. Thankfully Hampshire’s James Alexander Bright has been working on a plan in cahoots …

CHRIS PORPORA, the artist whose twin album releases from earlier this year, Time Waits For No One and Days Go By, are the gentlest, brittlest sucker punches to the heart and so should be in your turntables if not your Christmas list, isn’t done with dirty old 2021 yet; he’s looking to round off a …

BAD SEEDS founder member and smouldering, potent artist in her own right, Anita Lane left us far too young this April, at the age of 61; her on-off solo career had never really received the sales it should’ve been accorded, and she remained underappreciated, seemingly having slipped from view in recent years. But Mute are …

THERE’S to be no rest for the wickedly, insistently, incisively funky: A Certain Ratio, with the deservedly acclaimed ACR: Loco (our review, here) and a slew of excellent postscriptual EPs under their belts this past year, paying tribute to Denise Johnson, Andrew Weatherall and just generally deep and insistent, exploratory funk listening – and a …

SONIC CATHEDRAL: it may not be the most prolific of labels in terms of releases – but never mind the width; feel the quality. Just take a look back, wouldya, over the past year and a bit of releases: an excellent, excellent new generation of the ‘gaze debut from East Yorkshire’s vowel-free but guitar thrill-replete …