Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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THE EXCELLENT, leftfield Mancunian trio GoGo Penguin, who work out in the truly creative zones where dancefloor and intelligence and jazz bump into each other, decided they could be lifelong friends, are all set to release a really exciting remixes album, GGP/RMX, for Blue Note in May. They’ve been creating their particular forward-forging meshing of …

RULE one: Japanese bands do brilliant, brilliant things with guitars: this is just fact. From the mind-blowing chaos of Melt-Banana to the heavy psych stylings of Acid Mothers Temple and Bo Ningen, down through the garage-rawk of Guitar Wolf and the dreamy, trippy-hippy psych of Ghost, new and deeper appreciations of how to wield and …

WITH a first solo album in nigh on six years just cusping the horizon – it’s called Reason to Live, it’ll be out at the end of the month on Joyful Noise Recordings, and you can find out where to snag yourself a copy down at the end there – and following the chiming, heartfelt loveliness of “Over …

IF YOU consider yourself a fan of great British guitar music and you haven’t investigated the canon of East London-Essex borderlands’ The Wolfhounds, then jeez, do you ever need to put that right – immediatement. Coming out of the C86 wave of bands and featuring on that legendary/infamous tape (please delete according to personal taste) …

THEY loved what they heard so much they set up a label just for him. Yep, that’s the tale of E.R. (Ed to his friends) Jurken’s slow peregrination towards a recording contract once he’d landed in Chicago after one of those periods when life gets dismantled, leaves you tumbling in its riptides; criss-crossing the States, …

PLYMOUTH’S The Native may only be young – their first single, “Chasing Highs”, only came out in August gone, so their recording career is still a few weeks off its first anniversary – but from the first they’ve been unafraid to tackle the big issues in festival-ready, girlfriend on your shoulders, can in each hand, …

BISHINTAI is a delightful album, candy-colour bright, beamed from some offworld where fantastic cuboid furniture and hanging egg chairs are the norm; it will add a little brain-clearing wasabi to the most humdrum and dun day. If you’ve ever swooned for the Sushi 3003 and 4004 compilations; for Air at their most “Sexy Boy” cosmic and and most especially definitely, the bright retro-futurism of The Gentle People – then boy, is this album ever for you

If old-skool British acid and ambient techno floats your boat, and let’s face it, it’s such a halcyon era for the genre, mostly never bettered; get yourself Enveleau. Maybe only the redoubtable Mr Hopkin is operating with this deliciousness in the field

Heron’s Book of Dreams is glorious. It knows what to do, it knows what you need, and never aims for cheap and maximal when stripping back, excellent arrangement and contrast can do the job. Think a slightly more abrasively edged, more intimate A Winged Victory For The Sullen. A very beautiful record for people who love the interstices where ‘flesh and blood’ instrumentation gets it on with drones. Delightful.

Composer, translator, poet, and performer, JJJJJerome Ellis has signed for Brooklyn’s curating imprint of the beautifully leftfield, NNA Tapes (a label which is also home to other artists we’ve delighted in in recent months, such as the absolutely gorgeous piano-meets-sounds of the world as it is aesthetic of Ben Seretan, and the brittle guitar experimenta …